Let’s hear it for the heroes! Tall, dark and handsome?
Hero = handsome; heroine = beautiful?
Bestselling author Susanna Kearsley published a blog last week that asks a thought-provoking question about romantic heroines: — why is it that “some readers, when faced with a blank face, are programmed to fill in the features as ‘beautiful’?”
A disturbing question, too, perhaps.
But what about the heroes? Do we readers fill in male features in a similar way? Why?
Do the heroes of our imagination have to be tall, dark and handsome? Continue reading →
Light and shade help to create atmosphere. It doesn’t have to be deep gloom or blinding sunlight, just a degree of contrast.
To see what I’m getting at, have a look at the 3 pictures in the slider below, showing roughly the same view of a snowy landscape, but in different kinds of light. I reckon the changes of light and shade move the viewer from misery (or at least gloom), through hope, to something much more positive.
At Sophie’s prompting, I’ve recently been reading a new (to me) crime writer, Barbara Cleverly (a writer who only just missed the cut for 12 days of Christmas). Cleverly’s first 4 books are set in India in the 1920s, after the horrors of the First World War (which haunts many of her characters) but while the British Empire still rules.
What stayed with me, apart from her genius for plotting, was the atmosphere she created for her pre-independence India — an underlying feeling of unease, even menace.
Cleverly’s British Raj is like a thin and very fragile glass lid on a huge cauldron of broth. Readers can see through the lid to the liquid below. Not quite boiling yet, but with the occasional large bubble forcing its way through the shimmering and (apparently) serene surface. As readers, we sense that it wouldn’t take very much to crack through that flimsy lid from below. Continue reading →
Starting on Boxing Day, we’ll be posting a daily fun episode of the 12 Days of Christmas, but instead of suggesting a song to sing, we’ll be focusing on books we have read and a few of the ideas — sometimes silly or frivolous, sometimes serious — they’ve given rise to.
Please join in with your own suggestions. We’d love to hear what you think.
Don’t miss the First Day of Christmas, here on 26th December
pear tree at the ready…
Warning: this blog contains images of full-frontal female and male nudity; if you are likely to be offended by those images, please do not read on.
On a recent TV programme on BBC4, Andrew Graham-Dixon mentioned (just in passing) that, in the nineteenth century, it was illegal for a woman to pose in the nude for a male artist. Really? Didn’t anyone tell Ingres?
Ingres: Odalisque with a Slave (1839)
Graham-Dixon was showing TV viewers nude paintings of ordinary Danish women. He said they would have created a scandal if they had been shown in public. So it was OK to put nude figures into classical poses, but not into modern-day, realistic ones?
Ingres’ Odalisque or Botticelli’s Birth of Venus was art but a Danish working woman was not? Continue reading →
Empathy with characters:
what is it and who has it?
Empathy? Roughly, it’s feeling what another person is feeling, from their point of view. Even if that other person is fictional.
So readers may identify with the heroine in a romance, or with the spy in a thriller, or with the detective in a crime story.
Writing Regency romances, my aim was always that my [mostly female] readers would identify with my heroine and fall in love with my hero.
But readers don’t all react in the same way to our characters and our plots. And I’m beginning to wonder if age is one important factor in that. Continue reading →
It is with great sadness that we mark the passing of our very dear friend, Annie Ashurst,
who, as Sara Craven, was a worldwide bestseller and beloved by thousands of fans.
Annie will be much missed by her many friends in the RNA and elsewhere, for her wit,
her brilliant mind (she won Mastermind) and for the kindness and support she offered to so many. She was also, of course, a terrific writer from whom we all learned.
RIP dear Annie
If asked to name a Highland Regiment, many people would think of The Black Watch, though it’s by no means the oldest; that title belongs to The Royal Scots. But Sophie’s recent post about the reel of the 51st (Highland) Division reminded me of two other famous regiments that we have come to know by the amalgamated title of The Argyll and Sutherland Highlanders.
There were originally two separate regiments: the 91st (Argyllshire) Regiment, raised in 1794 by the Duke of Argyll; and the 93rd (Sutherland Highlanders) Regiment raised by the Countess of Sutherland in 1799.
Apologies for the tongue-in-cheek title to this post. I’m guessing that if I had headed it “Stirling Castle and James V”, quite a few of our readers would have said, “Who he?”
He is James V, King of Scots. Yes, he was the father of the rather better-known Mary, Queen of Scots.
James V and Stirling Castle had quite a relationship. (And did you know that the mound on which the castle sits is actually an extinct volcano?)
Both these images represent James V. In the statue, he has a long flowing beard, like an Old Testament prophet, ready to usher in a golden age for Scotland. In the portrait, he has his normal neat beard and gorgeous clothes.
He didn’t make it to prophet status. James died when he was just 30, leaving one legitimate child (Mary), who was only 6 days old. James also left at least 9 illegitimate children, so he was definitely neither saint nor prophet 😉 Continue reading →