Readers don’t talk much about discoverability or even reviews, I find. Writers, of course, worry about them all the time.
I’m both. But I read more books than I write.
Heck, I read more words than I write and I’ve been motoring at 3,000 words a day for a while now. That’s gross, you understand. In every sense of the word, probably, though I’d prefer you to interpret it as the opposite of net.
Reviews and Recommendations
As a reader, I like recommendations. Not reviews so much. Well not big ticket reviews in the Grown Up media, anyway. I slightly mistrust them. There’s always the feeling that the reviewer is writing with one eye on the book and the other on his own credibility with fellow critics. Continue reading →
The very first piece of advice that I remember anyone giving me about writing was, “Avoid cliché.” I was ten. I had to look up “cliché”. So now I have a question.
A cliché is a word or phrase so worn out by overuse that it has deteriorated until it is meaningless. It may once have been striking. Today it is white noise.
The gentle reader ignores it. The ungentle critic berates the writer for laziness and lack of originality.
Dickens got away with “It is a far, far better thing I do, than I have ever done,” because he thought of it first. After that it became popular, then heard widely, then untouchable by any writer with pretensions to respectability.
I’ve always been fascinated by the chemistry of the magic moment and the creative chaos out of which it so often emerges in works of the imagination. And I mean always.
Long before I analysed A-Level texts or read any of the learned works on story structure, I knew there was a point in my favourite fantasies where time seemed to slow. Everything became both more meaningful and more mysterious.
They were the places in the book which I re-read, again and again. The moments I went back to in the CD. The words I waited for, breathless, in the theatre.
By temperament, I’m one of nature’s collaborators. Show me a team and I’m spitting on my hands and doing my bit. With enthusiasm.
In my various day jobs, I’ve loved the sense of shared enterprise. OK, I could get a bit testy when we had meetings about meetings. But mostly interaction with other people buoyed me up when I was tired, focused me when I was floundering and made laugh a lot.
And I work a whole lot better than I do on my own.
This blog is about ways I’ve found to repel the night tigers we’re facing in the UK right now.
Do you remember Pollyanna? She was the irritating kid who played the Glad Game, no matter how dire things were. When she wanted a doll but got crutches from a Christmas present Lucky Dip, her father told her to be glad she didn’t need them. What would he say about night tigers?
It’s been a bad time. Angry young men killing people, claiming the justification of their faith. Politicians politicking pointlessly but with some nasty campaign tactics. Horrible racist backlash in places. Furious partisan insults on social media. Vile.
Yet there are good people and great things in the world and some seriously funny ones, too. I’m hugging them close. Here’s how. Continue reading →
I’ve always been fascinated by dedications in books. There’s the intriguing possibility that they are clues to something hidden. Probably private. Possibly intense. Potentially the whole reason for the book. Thrilling or what?
This is the second time I’ve returned to the subject in this blog. First time round I wrote about a range of books, only some of which I knew really well. No, let’s be honest. One of which I detested.
This time I’m writing about one of my great loves. Twice, under pressure of space, I’ve cleared out copies from my bookshelf, believing that I wouldn’t need to read them again. Twice I’ve bought new copies.
This is a dedication which intrigues me enormously. I was reminded of it by the recent sad news that Tim Pigott-Smith has died. He played the ambiguous and haunting villain Merrick in the BBC’s epic series about the end of the Raj, The Jewel In the Crown.
Earlier this month a publisher invited me to chair an Author Panel. There were four of them, all just publishing that difficult second novel. We were to meet at Waterstone’s Piccadilly and they would discuss Love and Romance Across Cultures. Their own experience and writing gave them the basic material. It sounded a blast. But I havered… Continue reading →
It was Samuel Taylor Coleridge, he of Ancient Mariner fame, who coined the phrase “suspension of disbelief” in 1817 in his Biographia Literaria or biographical sketches of my literary life and opinions. He did so referring to his contribution, more than twenty years earlier, to the Lyrical Ballads. Published in 1798, these are generally taken to mark the start of the romantic movement in English literature. William Wordsworth wrote most of them, of course.