Less? Or fewer? This Pedantique-Ryter post is dedicated to that Disgusted of Chelsea (no names, no pack drill) who had this exchange on Twitter recently, after shopping in Marks & Spencer:
Disgusted of Chelsea:
My faith in @marksandspencer is shattered, I tell you, shattered. Their ad at checkout:
“Less worries. More sandcastles.” AAAARGGH. M&S
Is there anything we can do to help? DoC
Very kind but am in shock. Civilisation tottering.
Ideally change wording to “fewer worries” or “less worry”?
Probably not cost effective? M&S We’re sorry you don’t feel we’ve got our ad right.
We’ll share your comments with the team. Thanks DoC It’s like a needle under a nail to me.
Team could try Fowler’s Dictionary of Modern English Usage?
Civilisation tottering? Well, maybe DoC’s irony went a bit far there, but Pedantique-Ryter admits to feeling the needle under the nail, too. Fewer? Less? Are they interchangeable? If not, how and when should they be used?
Read on to find out the Pedantique-Ryter answer. Continue reading →
Language is a writer’s basic toolkit. Writers — novelists, playwrights, poets, lyricists, and all the rest — use words to trigger emotional responses or to paint pictures in the minds of their readers and listeners.
How can we fail to see layers of meaning in creations like these?
the wine-dark sea (Homer, Ancient Greece)
sleep that knits up the ravelled sleave of care (Shakespeare: Macbeth, 1606)
nursing her wrath to keep it warm (Robert Burns: Tam O’Shanter, 1790)
moonless night in the small town, starless and bible-black (Dylan Thomas: Under Milk Wood, 1954)
I’ve always been fascinated by dedications in books. There’s the intriguing possibility that they are clues to something hidden. Probably private. Possibly intense. Potentially the whole reason for the book. Thrilling or what?
This is the second time I’ve returned to the subject in this blog. First time round I wrote about a range of books, only some of which I knew really well. No, let’s be honest. One of which I detested.
This time I’m writing about one of my great loves. Twice, under pressure of space, I’ve cleared out copies from my bookshelf, believing that I wouldn’t need to read them again. Twice I’ve bought new copies.
This is a dedication which intrigues me enormously. I was reminded of it by the recent sad news that Tim Pigott-Smith has died. He played the ambiguous and haunting villain Merrick in the BBC’s epic series about the end of the Raj, The Jewel In the Crown.
Downton Abbey — and Upstairs, Downstairs before that — can be a bit of a curse for writers. Why? Because both show us servants, below stairs, who are human and empathetic. Because they show us relationships between upstairs and downstairs that seem respectful on both sides, even cosy. And because they aren’t always true to history.
Don’t believe me? Then let’s turn to Mrs Isabella Beeton’s Book of Household Management (1861) for advice:
A servant is not to be seated … in his master’s or mistress’s presence; nor to offer any opinion, unless asked for it; nor even to say “good night,” or “good morning,” except in reply to that salutation. Continue reading →
This week I went to a celebration of the extraordinary life of Patricia Denise Clark, whom I knew as distinguished romantic novelist, Claire Lorrimer. It would have been her 96th birthday. It was unforgettable — a truly remarkable occasion. Continue reading →
Do you use exclamation marks? Often? Maybe too often??!!!
Some readers HATE exclamation marks
Exclamation marks used to be all the rage. Once.
But tastes change and, nowadays, some readers count exclamation marks and scream abuse on all the social media platforms if they think an author has used too many. Quite a few of my clients — including bestselling authors — have suffered at the hands of the exclamation mark police. And many have sworn, as a result, never to use an exclamation mark again.