This week I went to a celebration of the extraordinary life of Patricia Denise Clark, whom I knew as distinguished romantic novelist, Claire Lorrimer. It would have been her 96th birthday. It was unforgettable — a truly remarkable occasion. Continue reading
Do you use exclamation marks? Often? Maybe too often??!!!
Some readers HATE exclamation marks
Exclamation marks used to be all the rage. Once.
But tastes change and, nowadays, some readers count exclamation marks and scream abuse on all the social media platforms if they think an author has used too many. Quite a few of my clients — including bestselling authors — have suffered at the hands of the exclamation mark police. And many have sworn, as a result, never to use an exclamation mark again.
Ever. Continue reading
Imperfection sounds bad. Yet I know all about the dangers of perfectionism. But somehow, when it comes to my writing, I never quite believe them.
It feels too easy, like part of that “everyone gets a prize” approach which I deeply mistrust. The sort of thing that makes teachers say, “Ermintrude is too easily satisfied.” Continue reading
One of the fun things about writing fiction is that you, the author, can really play with names for your characters. Hero or villain or somewhere in between? You’re in charge when it comes to naming.
And if you’re writing historical fiction, you have even more scope. Continue reading
I think probably every novelist has found themselves writing in secret at some time or other.
I certainly have.
In my case I’d announced that I Was Never Going To Write Another Word after my debut masterpiece — quite rightly — failed to find a publisher. My resolve lasted about 6 months. Just long enough to get a job in a Very Serious Institution and perceive the benefits of a monthly salary. So when I took up my pen again, it was very, very privately.
Yet I was startled to discover Libertà Hive member Joanna Maitland has just published a book I didn’t even know she was working on. (More info here.)
Joanna and I are not alone. Why?
Writing in Secret: Reason 1 — Fanny Burney
A few years ago, in company with a Very Distinguished Author Friend, I ran a session at
the Romantic Novelists’ Association Conference on The Romantic Scene.
It was a delight.
We had a ball.
Our participants were enthusiastic, completely engaged. They enjoyed it and talked about it for ages afterwards. Yet it had been one of the most thought-provoking tasks I’ve ever tackled.
Not as Planned
Confession time. Continue reading
May or might? Many writers (and journalists who should definitely know better) have been flummoxed by that one. It seems, increasingly, that may is used all the time, even when it’s actually wrong.
Try this for size:
The Queen may have married someone other than Prince Phillip.
Right? Or wrong? Or something in between? Continue reading
Contrary to received wisdom in some quarters — particularly those parts of the media that love to sneer at romantic fiction — a romantic hero is not always tall, dark and handsome. Sometimes his looks matter; sometimes they don’t. And sometimes, they don’t even rate a mention!
If you don’t believe me, just think back to those ageing actors in movies, making love to heroines less than half their age. Were they tall, dark and handsome? Nope. More like grey, thinning on top and struggling to keep their bodies in half-decent nick for the screen. But, greying or not, saggy or not, those men are still movie action heroes according to Hollywood. And fans go along with it.
So if it’s not what he looks like, what is the secret? Are books different from movies? And is there a timeless formula?
The Romantic Hero Acts — the Heroine Screams
Last time, I gave you four whom examples from the sainted Georgette Heyer. I said the number of mistakes was somewhere between zero and four.
And the answer? ONE. But which one? And why? Read on to find out.
Do I have to use Whom in written English?
Written material can pose difficult questions. If you’re emailing your mates, no one will care. If you’re writing your thesis or a letter to the pedantic godmother who will (you hope) leave you money in her will, you probably don’t want to make mistakes. They could distract your reader from what really matters, like giving you the top marks you deserve. So follow my tips if you want to be sure you can get it right when it matters. Continue reading
Today our guest blogger is multi-award-winning historical author Sarah Mallory who has more than 40 books under her belt, under various writing names including Melinda Hammond.
Although Sarah was born in the West Country, she now lives on the romantic Yorkshire moors, within a stone’s throw of Brontë country which is, she says, a constant source of inspiration. She is also inspired by history, an abiding love, and the Hive can vouch for her wide knowledge of the Regency and other periods. Get her into a corner (with a glass of something) and the discussion flows wonderfully.
At the request of the Hive, Sarah is going to tell us about her experience of writing historical romantic novels in a series. These days, it’s the received wisdom that readers want series books. So a guide from an award-winning author sounds just the ticket. Over to Sarah . . .