Often when we think about weddings — or write them into our books — we imagine the full works with floaty white dress, olde worlde church bedecked with flowers, rosy-cheeked clergyman, uplifting organ music, smiling friends and family.
But it wasn’t always so.
Weddings: not IN church, but AT the church door
Strange though it seems, in medieval times, weddings didn’t take place inside a church. In fact, many weddings didn’t involve a priest at all. Even if a priest was there, his job was only to bless the couple. In 1215, the Church decreed that a contract of marriage was to be “in the approved manner at the church door“. The priest was to be at the church door too, but in order to oversee the wedding, not to do the marrying — that was done by the consent of the couple themselves.
The Catholic Church decreed in 1563 that marriage required mutual consent plus joining by a priest. Since the Reformation was in progress, however, that didn’t apply everywhere.
In Scotland, even into the 20th century, a couple could marry by simply exchanging consent in front of witnesses. Think of all those romantic Gretna Green weddings. The runaway couple might have assumed that the strange Scotsman in the Marriage House was doing the marrying, but in fact they were doing it themselves, by declaration before witnesses. Continue reading
If they do — how, when and where?
On the page?
On the last page?
Of course, the purist’s answer is: whatever is right for the characters. But, just as organising a real-life wedding needs to take account of friends and family, the end of a story — perhaps more than any other part of the book — is there to satisfy Readers. To provide emotional closure.
Do Readers want, need a wedding to achieve that? Even if the characters don’t? Continue reading
Georgette Heyer’s endings
Re-reading some of my favourite Georgette Heyer novels recently — Dame Isadora snagged me as the minion to do the research for her blogs because she, being a Very Important Personage, had Better Things To Do — I was struck by how often Heyer brings her lovers together at the very end of her novels, sometimes on the very last page.
What we don’t get in Heyer is a lovers’ wallow.
What’s a wallow?
I’d describe the wallow as a shortish section at the end of a love story where the reader sees the lovers together and passionately in love — both of them trusting and relaxed and happy. Sometimes the lovers are married, sometimes they have had children, sometimes they are simply enjoying each other.
It’s the Happy Ever After ending shown right there on the page for the reader to savour.
Some readers love a wallow. Some readers even feel shortchanged if a novel doesn’t have one at the end. But readers still love all those Heyer novels that don’t have the merest hint of a wallow. So…