For some time now, people have been asking me to write about what copy editors do and why they’re important. This is a companion piece to last year’s little trot through the origins and history of publishers’ editing: “What Editors Do”.
Why now? I have just actually been reviewing the copy editor’s changes on the text of my new book. So the mind is focused on what I did and what it felt like.
I should point out that, like my blog on editors, this is highly personal. Though I have also drawn on conversations with copy editors and a great talk, some years ago at an RNA Chapter, by jay Dixon, a trained copy editor. Continue reading →
By pure serendipity, this last week has turned out to be all about editing.
It wasn’t supposed to happen. I had finished the substantial edits needed on my new book, The Prince’s Bride. I felt they made the story hugely better. The publisher’s editor accepted them. The book went up on Amazon for pre-order. It should all have been done and dusted.
As some of our readers will know, Sophie and I gave an editing workshop — complete with black panther — at the RNA Conference in mid-July 2017. (Fantastic conference, by the way.)
About 70 people attended. That’s a lot — we normally limit our workshop numbers to 12!
Our topic was editing to add Sparkleto our writing in order to hook and hold readers. Since we only had an hour, rather than our normal 2 full days, it was more of a twinkle.
But it was fun. And we hope that those who attended found it useful.
We certainly did. It taught us some salutary lessons which I’ll share in a moment.
First, let me introduce you to Rose… Continue reading →
A dozen published and aspiring authors attended the HOOK & HOLD (Sparkle1) full-day workshop in London on 17th June and they loved it!
Sparkle2 — BLING IT UP! — will be held in London on Saturday 21st October.
Bookings are now open. Details on the flyer below
Screw the Punch was the first editorial idea to work for me in a big way.
Traditionally published or indie, everyone agrees that authors need to be edited. But what do we do with those editorial reports? One of the most crucial judgements for a professional author to make is deciding exactly that.
At some point every romantic novelist faces the Wedding Dilemma.
If they do — how, when and where?
On the page?
On the last page?
Of course, the purist’s answer is: whatever is right for the characters. But, just as organising a real-life wedding needs to take account of friends and family, the end of a story — perhaps more than any other part of the book — is there to satisfy Readers. To provide emotional closure.
Do Readers want, need a wedding to achieve that? Even if the characters don’t? Continue reading →