We all do it — fall in love with someone else’s hero. We always have. Robin Hood. Ivanhoe. Mr Darcy. John Thornton. Raoul de Valmy.
Also, in my case, Brian de Bois Guilbert, Humphrey Beverley, Faramir and Captain Carrot. I like geeks, loners and oddballs. Even those with the occasional dash of villainy, at least as long as I could redeem them. What can I say?
Indeed, I’d go so far as to say that a heart-stopping hero constitutes a good slug of the fun of fiction. Continue reading →
How often is hero allure part of what compels us to pick up a book?
Last week we asked people to vote on which qualities would hook them into the hero’s story. We were thinking of just that first engagement: what we learn from the blurb, the first few pages or Amazon’s sample.
Across A Crowded Room
With more and more novels to choose from every year, it’s becoming a major issue. I suppose it’s the literary equivalent of eyes meeting at a party. Something in you jumps to attention and says, “Oo yes, this one.” Continue reading →
Today’s guest blog on YA heroes is from award-winning author Pia Fenton (Christina Courtenay)
Heroes, Villains . . . What’s Not To Love?
There’s been a lot of talk about heroes on the Libertà blog. Also delicious villains.
Yes, I too am a fan of Mr Rickman and others like him, notably Lucius Malfoy (actor Jason Isaacs) in the Harry Potter movies — how could you forget him?! — and Loki in the Thor movies (actor Tom Hiddleston). Continue reading →
Contrary to received wisdom in some quarters — particularly those parts of the media that love to sneer at romantic fiction — a romantic hero is not always tall, dark and handsome. Sometimes his looks matter; sometimes they don’t. And sometimes, they don’t even rate a mention!
If you don’t believe me, just think back to those ageing actors in movies, making love to heroines less than half their age. Were they tall, dark and handsome? Nope. More like grey, thinning on top and struggling to keep their bodies in half-decent nick for the screen. But, greying or not, saggy or not, those men are still movie action heroes according to Hollywood. And fans go along with it.
So if it’s not what he looks like, what is the secret? Are books different from movies? And is there a timeless formula?
Villains can be a turn-off. But they can also be compelling, fanciable, even sexy. Think Alan Rickman as just about any movie baddie you care to name. (Confession here — I’m a Rickman fan and this blog was partly inspired by him. But there are other baddies here too, and many are from books as well as films.)
My eye recently fell on an enjoyable reader rant against the onlie begetter of the Regency Romance, dubbing Georgette Heyer Heroes “utter douchebags”. (For the gentler sort of reader, the usage is North American, informal, referring to an obnoxious or contemptible person, typically a man.) A tweet from @Georgettedaily directed me thither and I am grateful. The ranter made some good points. But I disagree with her on Heyer heroes.
Heyer herself classified her heroes as Mark I (brusque, savage, foul temper) and Mark II (suave, supercilious and dangerous). I disagree with her, too. Continue reading →
Marriage by special licence plays a very important role in historical romance. Georgette Heyer used it often. And today’s writers of historical romance use it too. Why? Because with banns or a common licence, the couple had to marry in a public church or chapel between the hours of 8 and noon.
Those restrictions would have put paid to many a fictional marriage, like the one in Georgette Heyer’s The Reluctant Widow.
The heroine’s wedding takes place in the middle of the night.
And in a local PUB!Continue reading →
Today our guest blogger is multi-award-winning historical author Sarah Mallory who has more than 40 books under her belt, under various writing names including Melinda Hammond.
Although Sarah was born in the West Country, she now lives on the romantic Yorkshire moors, within a stone’s throw of Brontë country which is, she says, a constant source of inspiration. She is also inspired by history, an abiding love, and the Hive can vouch for her wide knowledge of the Regency and other periods. Get her into a corner (with a glass of something) and the discussion flows wonderfully.
At the request of the Hive, Sarah is going to tell us about her experience of writing historical romantic novels in a series. These days, it’s the received wisdom that readers want series books. So a guide from an award-winning author sounds just the ticket. Over to Sarah . . .