Tag Archives: Jane Austen

Resolution for Writers?

resolution needed to endI don’t know if I’m a particularly picky reader, but I do like a novel to have some sort of resolution. It doesn’t have to be a traditional happy ending – though, as a writer, I always end up with my characters looking forward hopefully. But that’s my quirk.

I can take bereavement, despair or the end of the world in other people’s books. Even enjoy them in a Having a Good Cry sort of way.

What I can’t be doing with, is to turn the page and find that there’s no more book. And in the last few months I’ve found that happening more and more.

Is a Resolution purely a Matter of Taste?

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Regency evening gowns: delicious detail at bosom and ankle

White evening gown, 1800, Bath costume museum

Bath Costume Museum

Regency evening gown, replica, Bath costume museum

Bath Costume Museum

Detail does matter. The Regency lady going to dinner, or going to a ball, wanted every detail of her appearance to be perfect. Especially if her aim was to attract a potential husband. (She might, of course, have been a married lady looking for a little diversion with a new lover.)

Did the gentlemen in question notice these details? Possibly they did, because most of the details on these gorgeous gowns were around two areas of the female body that drew the masculine eye — the low-cut neckline exposing much of the lady’s bosom, and the naughty ankle, glimpsed as the lady walked or danced. Continue reading

Regency Gowns: Who Would be a Seamstress?

white gowns worn by Bennet sisters in BBC 1995 Pride & Prejudice

BBC’s 1995 version of Pride and Prejudice

Regency gowns are familiar to anyone who has ever watched a Jane Austen adaptation on TV or film. We expect to see ladies floating around in high-waisted dresses, probably made of fine white muslin. We expect to see large quantities of bosom on display. But from our modern perspective of mass-produced clothing and home sewing machines, we rarely think about how these supposedly simple Regency garments were made.

By female hand and eye. Every last cut and stitch.

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Naming Minor Characters: Fun and Games with Names

One of the fun things about writing fiction is that you, the author, can really play with names for your characters. Hero or villain or somewhere in between? You’re in charge when it comes to naming.

And if you’re writing historical fiction, you have even more scope. Continue reading

Jane Austen: Emotion in the Shrubbery

Elizabeth Hawksley

Elizabeth Hawksley
(photo: Sally Greenhill)

Our guest blogger today is multi-published historical author Elizabeth Hawksley. She does more than write novels. Her plays have been performed at the Royal Court Theatre Upstairs, the Oxford Playhouse and the Edinburgh Festival.  She  is currently the UK Children’s Book Review editor for the Historical Novel Society Review and also teaches creative writing via courses, workshop and lectures.

It is not surprising that she is in demand on the platform. Many writers will remember a certain Sunday afternoon at the RNA Conference. Elizabeth recited the whole of Elinor Glyn with a perfectly straight face while her audience rolled around, aching with laughter and pleading to be given a chance to catch their breath. A real tour de force.

Today, Elizabeth is writing about emotion in the shrubbery and how it figures in the much-loved novels of Jane Austen.

Jane Austen : Emotion in the Shrubbery

shrubbery tamed

In the early 19th century, every house of consequence had a shrubbery: a grassy area with shrubs, a few trees, a bench to sit on, and a winding gravel path. In essence, it was the antithesis of the formal parterres, geometrical shapes and clipped box hedges at the front of the house which proclaimed the owner’s status and control over Nature. Continue reading

Love Match Weddings

Love match weddings ? Signing the Register

Signing the Register Edward Blair Leighton

Love match weddings, achieved after much conflict and tribulation, have been a staple of popular novels ever since Pamela. These days it is a given in western society that young people make their own marital choices — in theory, every  wedding should be a love match.Cover of Lawrence Stone's Uncertain Unions & Broken Lives

So it’s easy to forget that it wasn’t always so, especially among the gentry and aristocracy about whom Joanna and our guest bloggers Anne Gracie, Louise Allen and Nicola Cornick write so delightfully. The grim evidence of bullying, family interests and the protection of property at all costs, is set out in historian Lawrence Stone’s masterly account of courtship, marriage and divorce in England before the 1857 Matrimonial Causes Act, which reformed the law on divorce.

Yet those Georgian and Regency writers do have some historical justification for their True Love and Happy Ever After stories. And that’s all we readers need, right? It wasn’t all bad. Sometimes love triumphed in real life. Continue reading