Available from all good bookshops: ISBN 978-0-9957046-2-6 Price: £5.49/$6.99
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Made your New Year’s resolutions yet? Do they resemble the ones shown here, by any chance?
If so, you’re not alone. The Libertà Hive is with you!
Writers make that one every year, without fail. It’s a goody.
I think probably every novelist has found themselves writing in secret at some time or other.
I certainly have.
In my case I’d announced that I Was Never Going To Write Another Word after my debut masterpiece — quite rightly — failed to find a publisher. My resolve lasted about 6 months. Just long enough to get a job in a Very Serious Institution and perceive the benefits of a monthly salary. So when I took up my pen again, it was very, very privately.
Yet I was startled to discover Libertà Hive member Joanna Maitland has just published a book I didn’t even know she was working on. (More info here.)
Joanna and I are not alone. Why?
Once upon a time, three writers of Mills & Boon Historicals got together to write a book. The three were Nicola Cornick, Joanna Maitland (me!), and Elizabeth Rolls. This is the cover story of that book of three interlinked novellas —
A Regency Invitation.
This blog is not about how the book was written, though we had great fun doing it, creating three love affairs and two mysteries at our Regency house party. No, this post is about the book’s cover — where it started, how it changed over time, and how different international markets adapted the cover look of A Regency Invitation to suit their readers.
Want to know how the Japanese market presents a romance set in Regency England? You can see it further down. And it may surprise you. Continue reading
Love match weddings, achieved after much conflict and tribulation, have been a staple of popular novels ever since Pamela. These days it is a given in western society that young people make their own marital choices — in theory, every wedding should be a love match.
So it’s easy to forget that it wasn’t always so, especially among the gentry and aristocracy about whom Joanna and our guest bloggers Anne Gracie, Louise Allen and Nicola Cornick write so delightfully. The grim evidence of bullying, family interests and the protection of property at all costs, is set out in historian Lawrence Stone’s masterly account of courtship, marriage and divorce in England before the 1857 Matrimonial Causes Act, which reformed the law on divorce.
Yet those Georgian and Regency writers do have some historical justification for their True Love and Happy Ever After stories. And that’s all we readers need, right? It wasn’t all bad. Sometimes love triumphed in real life. Continue reading
If they do — how, when and where?
On the page?
On the last page?
Of course, the purist’s answer is: whatever is right for the characters. But, just as organising a real-life wedding needs to take account of friends and family, the end of a story — perhaps more than any other part of the book — is there to satisfy Readers. To provide emotional closure.
Do Readers want, need a wedding to achieve that? Even if the characters don’t? Continue reading
Our Love Letter to a Favourite Novel feature is still a work in progress. We’ve now refined it in the light of comments we’ve received from (we hope) intending contributors. We’re really grateful for all the supportive and encouraging suggestions and we hope you will keep them coming.
At this stage, we’ve got a couple of watchwords for ourselves and our contributors as they write their Love Letters: sharing and authenticity.
You can read more about the latest news on the Love Letter to a Favourite Novel feature on the main page.
Monday 25th January is Burns Night, celebrating Scotland’s national poet, Robert Burns. Traditionally, Scots and others celebrate with a Burns Supper and many will have already taken place, over the weekend. I believe Sophie (Englishwoman of this parish) may even have been seen at one of them.
Wikipedia has an article about Burns Suppers including the Address to the Haggis and pictures of haggis, too!
Robert Burns (1759-1796) was not only a poet, he was also an exciseman, operating on the borders with England. Hardy smugglers used to cross from England to Scotland via the Solway Firth, because the excisemen would be waiting on the land route to levy their duties. If you could nip across the Firth – by the ford – you could probably avoid duty altogether.
Of course, if you were caught in the Solway quicksands, you might not see Scotland again. Ever.
This post on Going Indie was originally a guest piece on Sue Moorcroft’s blog. Many thanks to her for letting us repost it here, complete with new thoughts, several months on…
Why go indie? At the risk of stating the obvious, I’d say the answer is freedom.
Here’s an example of independent author freedom in action. As originally published, in the Harlequin Undone! series of short ebooks, His Silken Seduction was well under 50 pages. That was the length the line required, so that was the length I wrote. Simples!