Marriage by special licence plays a very important role in historical romance. Georgette Heyer used it often. And today’s writers of historical romance use it too. Why? Because with banns or a common licence, the couple had to marry in a public church or chapel between the hours of 8 and noon.
Those restrictions would have put paid to many a fictional marriage, like the one in Georgette Heyer’s The Reluctant Widow.
The heroine’s wedding takes place in the middle of the night.
And in a local PUB!Continue reading →
At some point every romantic novelist faces the Wedding Dilemma.
If they do — how, when and where?
On the page?
On the last page?
Of course, the purist’s answer is: whatever is right for the characters. But, just as organising a real-life wedding needs to take account of friends and family, the end of a story — perhaps more than any other part of the book — is there to satisfy Readers. To provide emotional closure.
Do Readers want, need a wedding to achieve that? Even if the characters don’t? Continue reading →