How often, when you’re writing a blog or preparing something for social media, do you tell yourself you need to include an image? Most of the time, I’d guess. But finding appropriate images can be difficult.
And even when you’ve found one, can you legally use it?
This one on the right, of a glorious beach in north-west Scotland, is fine because I took it myself. My copyright. No problem.
That’s my first tip.
Tip #1 Use your own pics whenever you can. And if you’re worried about other people snaffling them, make sure you mark them as your copyright. (I don’t do that, normally, but in this instance, I have. Note to self: I probably should claim copyright routinely though I’m already partly covered by Tip #2 below.) Continue reading →
Historical costume pics: gowns, petticoats, dolls, even men
This past couple of weeks, I’ve been editing, nose to grindstone, so there hasn’t been much time to think about anything else. So today, Saturday, faced with a blank screen (and editing finished last night, yippee) I’m a bit short of blog ideas.
What, I ask myself, would Libertà visitors like to read about? What can I produce before midnight? And answer came there—pictures, specifically, costume pics. I know you like our costume blogs, because they get lots of hits. So today, I’m going to give you mostly costume pics. To let you drool a bit. What’s not to like?
We’ve just passed the submission deadline for the RNA’s New Writers’ Scheme. And I’ve heard whispers from some readers that the MSS they are being sent to read are not as professionally prepared as they should be. That’s sad. And unnecessary, too.
Professional layout isn’t difficult. Especially with Word Styles.
Some aspiring writers, I’m sure, tell themselves that the most important thing is to get their pearls onto the page. They can sort out the niceties of formatting later. But that’s a waste of effort. It means doing stuff twice when it could be done once, Right First Time. So this blog is about how to set yourself up to get your MS Right First Time, while you’re actually creating it.
This blog is long—sorry—because I’m trying to explain every step of what you need to do. But it won’t take long to do it, and you only have to set up these Word styles once, so it’s no great chore. In fact, it’s an investment. Once you’ve created them, you can keep using them in every story you write.
Quite often, it’s objects or artefacts that inspire me. Take this gorgeous Chinese lacquer and embroidered silk screen, for example. It may date from as early as the 1820s and is now in the Victoria & Albert Museum’s collection. I found it when I was looking for ways of illustrating a blog about the Regency pelisse, which ladies wore outdoors to keep warm.
Inside, they wore shawls. Houses, back then, tended to be draughty, hence the need for draught screens, like this one. Continue reading →
Napoleon signs his abdication, April 1814 by Bouchot
I was reading Louise Allen’s book, The Earl’s Marriage Bargain, this week—much recommended—and it reminded me of the Elba intermission because the story starts in the summer of 1814, after Napoleon’s abdication. It’s such a useful period for Regency authors. It allows us to bring war heroes home and confront them with all sorts of society dilemmas that they’ve been missing.
In the Peninsula and then France, they’ve been in largely male company and they’ve been subject to the rigours of war. They’ve seen death and destruction. They’ve seen horrors that they can never share with their loved ones. And they’ve suffered fierce heat, bitter cold, privations and hunger, too.
At home again, they have to try to be the kind of tonnish gentlemen who can make idle conversation with ladies in the ballroom. Yes, I know that Wellington insisted his young men should dance well. And I also know that there were females around, not all of them camp followers. But society, in the Peninsula, was not the same as coming back to Society, with a capital S, in England. Continue reading →
As we’re sweltering in this hot weather, I thought it might be interestng to blog about weather and writing. With a nod to the patron saint of writers, Charles M Schultz‘s wonderful Snoopy. That’s the Snoopy who longs to be a bestselling writer and who always—well, nearly always—begins his stories with his tried and tested formula about the weather.To be fair, there are variants and I had fun searching them out. With a grateful acknowledgement to Schultz and the Peanuts strip, here are a couple of weather variants you might enjoy. First there’s subtleContinue reading →
I’m currently finishing a first draft. And it’s too long. Much too long. It needs lots of cutting.
And therein lies a dilemma.
My first draft is definitely my voice, with all its good and bad points. One of my bad points is repetition. Duplication. Saying the same thing over and over again, but in different words.
Did you notice what I did there?
Yes, bad point number one to the fore.
Also in the first para of this post (sigh).
Problem is that, if ⁄ when I start cutting out the sin of duplication, I also risk changing the authorial voice so that it isn’t mine any more.
Cutting habit words?
I can, of course, make cuts by removing my habit words and phrases.
Of which of course is one. I blogged about that a while ago. But, to be honest, removing habit words doesn’t reduce the overall word count by much. And I need to cut thousands of the blighters. So something more drastic is required. Continue reading →
This week, in connection with something unrelated to this blog, I came across a lot of book descriptors. By that, I mean the kind of words that are supposed to identify types and genres of fiction. Now I think I know what’s meant by romance or historical or saga. But some of the others? Um. Not so much.
So this blog is about a failing in my education. I need to get my head around these new and unfamiliar words to describe fiction. Who knows, I may even be writing some of them?
But if I don’t understand the book descriptors, how will I ever know?
Uplit, or Up-Lit, or Up Lit (Take your pick on spelling)
One of the first book descriptors I fell over was Uplit. I tried the dictionary. Nope. (It asked me if I’d meant to type uplift. Sigh.) Continue reading →
Series Covers : but what says Series Covers to readers?
Earlier this week, our own Liz Fielding published a blog about her series covers over 30 years of her writing career. It was fascinating. And it made me think about brands and series.
What makes Series Covers?
Harlequin Mills & Boon have been producing different series for decades. Readers may be fans of one or more of these series. Perhaps they love Medicals (left), or Historicals (right).
Readers expect to be able to identify their particular series covers the moment they look at the shelves in the bookshop. It used to be easy because of the colour coding: for example, Medicals were the jade green shown above; Historicals were Dairy Milk Purple. Modern and Romance (of which more below) also had the swoosh against blue (for Modern) and orange (for Romance).
And within their favourite series, readers want to be able to pick out the authors whose books they love. Preferably without having to peer at tiny or barely legible print. The two cover images above don’t get very high marks on that front. It would have been easy to remedy, though.
To give the paying customers what they want.
Simples, no? Isn’t that what branding is about? Well… Continue reading →