Category Archives: writing craft

Plotting the perfect crime…

Switching Genres…

Image by Davie Bicker from Pixabay

I’ve been a published romance writer for more than thirty years now. That’s seventy books for Harlequin Mills and Boon and a few more for other publishers.

I was in a groove – some people might call it a comfortable rut – but I was producing books that enough people loved to keep me in contract and an advance and royalties coming in.

It’s hard to give up that up just because you’ve had a story in your head for a very long time that refuses to go away.

When you’ve had that security for thirty years, to write a book in a totally different genre — crime — on spec, with no publisher, no advance or promise of publication is like stepping off a cliff.

Sink or swim?

Image by J Garget from Pixabay

Maybe it was lockdown, the sense that life was out of control and might never be the same again. The sense that if I didn’t do it now, then when? That if I didn’t take the risk, would I go to my grave regretting that I didn’t have the courage, or the self-belief that had the “do it now” bells ringing.

I’d delivered the last of the books on my current contract. I could take six months out for a passion project – I knew the story – inspired by a documentary I’d seen. I had my victim, I had my murderer, I had my “sleuth”.

I’d lived with them in my head for a long time. I could give them six months of my life.

The Beginning…

Continue reading →

Formatting Back Matter : hints for Independent Publishers

fanfare of trumpetsBack matter is where the independent publisher can blow their own trumpet. It’s a great PR opportunity for an author to get readers involved and, crucially, buying more of the author’s books. So it’s worth doing it as well as you possibly can.

Back matter is probably the second-last thing an author needs to do before uploading her ebook. (The last thing is to update the Table of Contents.) Before doing back matter, you should have done all in the following list (click to see my previous blogs on how to do them):

What should be in back matter?

Back matter is very much at the discretion of the author but the following are often included: Continue reading →

I’ve got a little list for when I’ve finished the book

When I say I’ve got a little list, it’s growing longer by the day.

Obviously, I always have lists of things I have to do – last month it included “Pay My Tax”, but also check my Public Lending Right statement, to see how much I’ve earned from the wonderful people who borrow my books from libraries.

Times are tough. Your library is a free resource and they’re under threat everywhere, so do make the most of them.

Public Lending Right for those who have never heard of it – and if you’re not a writer, why would you? – was spearheaded by the Society of Authors, an organisation that offers advice to, and lobbies for the interests of authors.

If you’re an author but not a member, Writer Beware gives information about scam merchants who try to rip off authors with fake competitions and dodgy publishers – the people who ask you to pay vast sums of money to publish your book and, having pocketed it, do nothing to sell it. Check them out before you sign a contract.

But back to my list

Continue reading →

Formatting Table of Contents: for independent publishers

woman tearing hairThe Table of Contents (TOC) has led to much hair-tearing by self-published authors, me included. That’s partly because it should be clickable so that the reader can go to, say, Chapter 4, with a single mouse click or touch on the screen.

Why is a clickable TOC necessary?

Because ebooks are not as easy to handle as traditional print books. With print, it’s a doddle to hop back a few chapters or pages to check on something you want to know. With ebooks, not so much. So it’s a very good idea to give readers a table of contents that they can click in order to move between chapters.

Clearly a TOC is essential for non-fiction. Some authors maintain that it’s not necessary for fiction. I disagree. I think all fiction ebooks should include a clickable TOC. And note that Amazon agrees. Amazon KDP have been known to reject an uploaded MS if it doesn’t have a TOC. The KDP instructions say that a clickable TOC should be included.KDP intro to Table of Contents

So this blog is about how you ensure that your MS includes the clickable TOC that Amazon (and readers) want. Continue reading →

Research Pitfalls and Pleasure

I have always found researching the back ground for my stories to be the greatest fun. But it is not all joy. Worse, it can be counter-productive.

As this year is on the brink of turning, I have been taking stock of my writing habits and also my output. Well, a little. Not the full audit, you understand. Just a gentle canter through those things that I have done, and those that I have left undone. And why.

And the reason, I fear, is often Research.

So I thought some people might be interested in my conclusions on research, its pitfalls and pleasures.

Pitfall 1  Getting Lost in Research

Continue reading →

Off-Putting Endings — how not to finish a book?

Inspforget the starsired by Joanna’s recent blog on ways to put a reader off at the start of a book, I thought it would be interesting to discuss a few pet peeves about off-putting endings.

Call it book-ending Joanna’s post 😉

For me, there is nothing more disappointing than settling down with a book, enjoying the story and investing in the plot and characters. You read to the last page…  And then it leaves you flat.

I have to confess to a vested interest here – a book I read recently which turned out to be one of a series.
Nothing wrong with that, I hear you say.

Female climber clinging to the edge.No, only the cliff-hanger ending left so many loose ends in the main romance and the plot that I felt thoroughly let down. I also felt I was being hustled into buying the next.

I didn’t.

Having invested quite heavily in the story so far, I wasn’t prepared to have it happen again.

Solutions to off-putting endings

Continue reading →

A pearl anniversary…

One score and ten years ago…

Busy fizzWith apologies to Abraham Lincoln – I couldn’t resist – it is thirty years ago, almost to the day (it was actually December 2) when my first book, An Image of You, was published.

It was my fourth attempt to write a book for Mills and Boon. I do, somewhere, still have my first rejection letter. I seem to recall the word “wooden” used to describe my characters, and a suggestion that I read books by Elizabeth Oldfield and Vanessa Grant. As you can tell, it is ingrained in my memory.

The book…

I later had the enormous pleasure of meeting Elizabeth at author lunches, along with so many fan-favourite romance authors. But back to that precious moment. The arrival of my first box of books. I’d been out somewhere and when I came home the box was sitting on my desk, with my husband and daughter staring at it, waiting for me to open it. Continue reading →

Off-putting Openings : how not to start a book?

key in lock in door

Image by MasterTux from Pixabay

Recently, I’ve started reading several books that I have swiftly put aside. Why?
Because they had off-putting openings.

What did I mean by off-putting openings? I’d say the kind of start that left me—as a reader—confused, or bored, or annoyed. The kind of start that made me say something like, “if this is the best this author can do, then I have better ways of spending my precious reading time.”

Off-putting openings #1 : a crowd of named minor characters

name badge: what is my name?When should an author give a character a name?

That’s not easy to answer. It may seem obvious that all characters have names—of course they do—but does the reader want to know the name, or need to know the name?

Not necessarily, I suggest. Continue reading →

Airy Nothing’s Timeline

Lady in Lace, Regency Timeslip, by Joanna MaitlandI used to think that only historical novelists needed to write a timeline for a novel. Someone like me, writing contemporary fiction set pretty close to the real world, didn’t have any use for it. I read Joanna’s excellent (and detailed) account on this blog of the timeline she constructed for her Regency-set Lady in Lace. And thanked my lucky stars that this was so. (It’s a lovely book, by the way.)

Only, of course, she is not just talking about setting her characters into a sequence of historically documented events. She is talking about the timeline of the whole novel, including the stuff she’d made up. Scene by scene Joanna records what her characters do and feel as well as well as facts of place and history.

But I still thought I didn’t need that sort of hassle in a contemporary story.

And boy, was I wrong. Continue reading →

Punctuating Dialogue (3) the Full Punctuation Rules?

magic bookIn this third and final part of the blog series on punctuating dialogue, we’re back in the magical, fairytale kingdom of Bel Paese with the unpunctuated Ricotta Dialogues [click to download]. There’s a link to the punctuated version later in this blog.

You can find part 2 of the series here, and part 1 is here. The latest version of The Rules is at the end of part 2 but I’ll be expanding them at the end of this blog, and providing a printable version, so you might prefer to wait for that magic rule book to be opened 😉

But first, last week’s answer?

Continue reading →