A while ago, I blogged about formatting ebook text. Quite a lot of people found it useful. So, as I promised then, I’m doing a follow-on blog about front matter—recommendations about what to include and how best to format it.
As with my previous post, these recommendations are based on how I format front matter for ebooks. You—or your book designer—may want to do things differently. Your choice. You have a good reason for doing it your way, don’t you?
One of my biggest regrets of 2020, this Year of Sorrows, is that we never got to celebrate the Diamond Jubilee of the UK’s Romantic Novelists’ Association. The first meeting was in January 1960. This anniversary year will soon run out.
It occurred to me, therefore, that I should do something now, before Christmas takes its irresistible hold.
There are excellent up-to-date entries on the RNA’s website for current information. And I heartily recommend it.
This blog, however, is wholly personal. Here you will find a few random memories of the RNA and, above all, the wonderful people I have found there, in books and in person.
Romantic Novelists’ Association and Sophie Weston, Debut Author
Beach Hut Surprise, text formatting by Joanna Maitland
Apart from Beach Hut Surprise, I’ve recently been republishing some of my vintage books on Amazon. In revised (and, I hope, better) editions. I do all my own formatting and I thought I would share some of the approach I use. I’ll add in tips and tricks, too.
For those who’d like to do their own e-publishing, but haven’t yet dared, I hope this will encourage you to have a go. It really isn’t all that difficult. Honest.
Though—shameless self-promo here—if you absolutely can’t face doing your own formatting, I’d be happy to do it for you.
For a fee, of course 😉
Formatting: what it isn’t
This blog is not about editing or proofreading a manuscript. Formatting an ebook starts from the point where the manuscript has already been edited and proofread. A formatter does not normally read the detailed text she’s working on. If she had to do that, the charges would be much, much higher.
The formatter’s job is to take your perfect manuscript and turn it into a file that can be uploaded to the internet. If the manuscript isn’t perfect, your imperfections will be translated into the e-pubbed version. And you don’t want that, do you?
As an aside, I do normally run a spellcheck on manuscripts before I start formatting. And the spellcheck does sometimes point out errors. Does that mean that the author did not run the spellcheck on her manuscript? I hope not. Maybe it’s just that my spellcheck works differently. In the end, if the published ebook contains spelling errors—or any other editing errors that should have been corrected—it is down to the author, not the formatter.
When two writer friends meet their first talk is of editorial revisions. You don’t risk a word on that unfinished book in case it stays that way. And you don’t talk about horrible reviews until you’re on at least your second glass.
But revisions are common to all writers and moaning about them – or sometimes sharing the joy – is a truly bonding experience.
This is the season when reports from the Romantic Novelists’ Association New Writers Scheme start to come back. Many of them will contain suggested revisions. Welcome to the club, guys!
But sometimes the report (or a book doctor or even an experienced reader friend) may say: “I don’t think you’ve found your voice yet.” “Inauthentic” may even be murmured.
I bet you do. Perhaps all authors do? A few weeks ago, in her excellent presentation on snappy dialogue at the RNA Virtual Conference 2020, Virginia Heath confessed to overusing the phrase “he huffed out” as a speech tag for her heroes. Virginia, being a professional, knows how to catch and reduce her use of habit words. Do you?
To start at the beginning: what are Habit Words?
Repetition can be boring. And people do notice…
Habit words and phrases are part of an author’s voice, the words and phrases that come naturally and automatically, that trip off the tongue, that make the writing sound like you. Continue reading →
“On a gloomy March afternoon, sitting in the same high school classroom she’d been sitting in for thirteen years, gritting her teeth as she told her significant other for the seventy-second time since they’d met that she’d be home at six because it was Wednesday and she was always home on six on Wednesdays, Quinn McKenzie lifted her eyes from the watercolour assignments on the desk in front of her and met her destiny.”
Jennifer Crusie is famous for putting wonderful dogs in her books and this is no exception. Quinn’s destiny is a small black dog with desperate eyes and he isn’t a prop, a cute accessory for her heroine. He gets the opening line in Crazy For You, because he’s about to change her life.
Animals in books? Dogs, more dogs and a duckling or two
Georgette Heyer, seen here with her dog, was another author who used dogs, kittens, even ducklings to delight us. In a long scene in The Grand Sophy the ducklings escape, are recaptured and generally cause chaos.
Image by Adina Voicu from Pixabay
Venetia‘s Flurry flew to her rescue when, shockingly, Damerel kissed her. Unfortunately Flurry desisted the moment he was commanded to “sit”, recognising a master when he heard one. But he was enough of a distraction for Venetia to extract herself. Once she’d done that, she was more than a match for the man!
And Ulysses, the disreputable mongrel Arabella foisted on Beaumaris, is a joy.
Apart from, “Where do you get your ideas from?” that has to be the question writers are most asked.
And the answer is, for me, yes, actually.
Quite a lot.
Pinterest, Google, Youtube
Even before I put finger to keyboard I scour Pinterest, seeking ideas for locations, looking for photographs of places and characters as I build my storyboard. This is the one I’ve created for A Harrington Christmas (it’s a working title!)
Mostly, after that, it will be diving into Google as questions crop up? What is the temperature in Nantucket in March? What is the time difference between Paris and Singapore? Is there already a restaurant in London called any of the half a dozen names I’ve come up with — and yes to every one. Continue reading →
Explicit Sex in Romances: none, lots, somewhere in between?
Explicit sex in romances is a complete turn-off for some readers. They like the bedroom door firmly closed and refuse to read any romances where it is not. That, of course, is absolutely their choice. And I have written some romances that, in my opinion, worked very well without sex scenes. Indeed, one of them — Rake’s Reward — has been called “fizzing with sex” even though it contains no explicit sex at all.
But, equally, I’ve written romances with a lot of explicit sex on the page, even though that is bound to have lost me some potential readers.
Readers are fascinated by writers’ ideas. Where do you get them from? they ask.
Over and over again.
Sometimes we writers know. And sometimes — to be frank — we don’t.
How many of us have woken up in the morning with clear ideas about a new book and no inkling about how those ideas came to be? How many of us have more ideas jostling about in our brains than we can deal with?
For most of us the difficulty isn’t finding the ideas, it’s turning them into a coherent story with a beginning, a middle, and an end.
Here’s a case in point.
Ideas? Silver shreds for starters…
It began quite a long time ago. And it was all the fault of my crit partner, Sophie Weston of this parish… Continue reading →