Silk is a fabric that delights the eye and, particularly, the sense of touch. Run your fingers over a piece of silk—smooth, luscious, sensuous. And slightly baffling, too, in the way it can be so very tough while seeming so fine and fragile.
Silk seduced me the first time I saw it. I loved the jewel-like colours that the magical fibres can take. The ones shown above will make Thai silk. Aren’t those colours sumptuous? (Which makes me think, in passing, of Sumptuary Laws and the prohibition on the wearing of materials like silk by “inferior persons”. Possibly a topic for a future blog?)
Sewing silk: joys and pitfalls
When I was in my teens and early twenties, I made a lot of my own clothes. A friend who was an air stewardess offered to sell me a dress length she’d brought back from Thailand. I couldn’t resist. The silk was mostly ruby and garnet coloured, with a paisley-type pattern, with hints of sapphire and amethyst. Gorgeous. (The pattern was something like the one shown here, only much, much nicer and without the orange.) Continue reading →
Quite often, it’s objects or artefacts that inspire me. Take this gorgeous Chinese lacquer and embroidered silk screen, for example. It may date from as early as the 1820s and is now in the Victoria & Albert Museum’s collection. I found it when I was looking for ways of illustrating a blog about the Regency pelisse, which ladies wore outdoors to keep warm.
Inside, they wore shawls. Houses, back then, tended to be draughty, hence the need for draught screens, like this one. Continue reading →
Once upon a time, three writers of Mills & Boon Historicals got together to write a book. The three were Nicola Cornick, Joanna Maitland (me!), and Elizabeth Rolls. This is the cover story of that book of three interlinked novellas — A Regency Invitation.
This blog is not about how the book was written, though we had great fun doing it, creating three love affairs and two mysteries at our Regency house party. No, this post is about the book’s cover — where it started, how it changed over time, and how different international markets adapted the cover look of A Regency Invitation to suit their readers.
Want to know how the Japanese market presents a romance set in Regency England? You can see it further down. And it may surprise you. Continue reading →
This post on Going Indie was originally a guest piece on Sue Moorcroft’s blog. Many thanks to her for letting us repost it here, complete with new thoughts, several months on…
Back in November 2015, I wrote:
Why go indie? At the risk of stating the obvious, I’d say the answer is freedom.
Freedom to ride off into the sunset. What’s not to like?
Here’s an example of independent author freedom in action. As originally published, in the Harlequin Undone! series of short ebooks, His Silken Seduction was well under 50 pages. That was the length the line required, so that was the length I wrote. Simples!