I am a storyteller. Does that have to mean research overload?
Storytelling is an art as old as time. I make up stories, tell yarns.
I am not an academic, I didn’t go to university and I didn’t study the art of writing at any college. I remember telling stories in primary school (possibly it began even earlier, I can’t remember) and I learned my art as I went along. Still do, in fact.
So I am NOT telling you how to write (or how to read). I am talking about stuff that distracts me when I’m reading a novel. Things I try to avoid.
“Write what you know”
We have all heard that old maxim, but whatever genre you write in, you will come across something that needs you to do a little research. At least, that is my experience. Continue reading →
Earlier I caught up Louise for a natter and I thought you might like to listen in….
SM It came as a most delightful shock to me when I discovered I had been nominated for the RNA Awards this year. To be honest, I have been so involved in my latest book that I had forgotten all about submitting Cinderella and the Scarred Viscount. How did you feel when you heard the news? Something like this, perhaps…?
LA Stunned, to be honest! I’d forgotten too, having agreed to a very tight deadline on the book I’ve just delivered. It came as a shock, but also a huge boost because I had just reached that ghastly stage with the current book when everything seemed to be wrong with it. It was such a joy to realise that sometimes I can write things people enjoy. Continue reading →
December sees the publication of my latest Regency romance for Harlequin Mills & Boon. It is also the time of festive fun and pantomimes, so the Cinderella title is very apt, I think.
Cinderella and the Scarred Viscount
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Once upon a time….
Philip James de Loutherbourg, Public domain, via Wikimedia Commons
The story is set in Regency England but its origins are much further afield. Spain in fact. The whole thing starts with the Spanish Armada!
Many Spanish ships from that ill-fated expedition came to grief around the British Isles, and the are many stories of survivors “leaving their mark” on the local population in the form of dark eyed, dark haired children. My heroine, Carenza, has this dark colouring, inherited from her mother.
Of course, she isn’t the first literary character to have such a heritage. The one that springs first to my mind is Jimmy Perez in Ann Cleeves’ Shetland series (not that the lovely Dougie Henshall, who plays Perez in the TV series is dark haired OR dark-eyed).
It is a lovely feeling, a clean sheet with so many possibilities. New story, new characters, new settings. It’s the time I can let myself dream as I begin weaving the story.
That is the point I am at now.
I have an idea for the book and the settings will be Regency London and mainly (probably) at my hero’s country house. And it is summer.
I first began thinking about this idea in September, when my current work in progress was coming to an end. Now I wonder if I chose a summer setting because the seasons were changing? Maybe I was hoping to hang on to those hot days and balmy summer nights. But I shall be writing the story throughout the winter: bare landscapes, long nights, icy days.
It shouldn’t be a problem, I am a writer, aren’t I?
As anyone researching the Regency period knows, the rake — the real Regency rake — was dangerous, unscrupulous and sometimes even a vicious womaniser.
I am very sorry, dear reader, if I have shattered your illusions.
Many of us like the fantasy of “taming” a bad boy, but most of us know in our hearts that it is nigh on impossible. Not quite impossible, of course. There are exceptions to the rule, but these are probably as rare in real life as the number of real live dukes in existence (which may be material for another story, another time).
There is always something to research for a new book. Often it seems obvious — military history for instance, when one sets a book around the Battle of Waterloo; or costume details for the period.
We have to invent a history for each of our characters. It may not feature in the actual book, but it is very necessary. As my latest book has proved. Continue reading →