This week I have been considering – no, make that marvelling at – writer’s clues we novelists leave sprinkled about our stories. The clue is always a key to unlock some crucial element of plot or character when it becomes important. In other words, later. A breath from the future.
Some are for the readers, especially if we’re writing some sort of whodunnit, whether the crime is murder or stealing a pig.
But some are for ourselves. And some come as a complete surprise to us when we get to the crucial moment. Continue reading →
Re-reading some of my favourite Georgette Heyer novels recently — Dame Isadora snagged me as the minion to do the research for her blogs because she, being a Very Important Personage, had Better Things To Do — I was struck by how often Heyer brings her lovers together at the very end of her novels, sometimes on the very last page.
Heyer might give us a chaste embrace. She might even give us a fierce kiss or two. And she often adds a shared joke.
But that’s about it.
What we don’t get in Heyer is a lovers’ wallow.
What’s a wallow?
I’d describe the wallow as a shortish section at the end of a love story where the reader sees the lovers together and passionately in love — both of them trusting and relaxed and happy. Sometimes the lovers are married, sometimes they have had children, sometimes they are simply enjoying each other.
It’s the Happy Ever After ending shown right there on the page for the reader to savour.
Some readers love a wallow. Some readers even feel shortchanged if a novel doesn’t have one at the end. But readers still love all those Heyer novels that don’t have the merest hint of a wallow. So…
Today our guest blogger is Lesley Cookman, an author who is probably most widely known for murder mysteries featuring her amateur sleuth, Libby Sarjeant.
But Lesley also writes in lots of other genres.
Lesley is the author of seven pantomimes, a Music Hall Musical, two romances and sixteen books in the Libby Sarjeant series. She has also written the first in what she hopes will become a new series about an Edwardian Concert Party. In describing her professional life, Lesley says she “writes a lot, reads a lot and occasionally acts a bit.” Sounds like a typically tongue-in-cheek description!
Libertà hive members know what it’s like to keep trying to find new plots for romantic entanglements, but Lesley’s challenge is probably even greater. Her sleuth is established, but how do you find yet another scenario for an unexplained death that your amateur sleuth can solve?
Over to Lesley…
New Ideas for the Amateur Sleuth
New ideas for the amateur sleuth?
“If only,” says the beleaguered writer.
“Can’t wait,” says the eager reader.
Suspension of Disbelief
I sometimes think that, apart from Fantasy Fiction, the amateur sleuth mystery is the one genre in which readers are the most determined to suspend disbelief. Take my own Libby Sarjeant. How could one middle-aged woman actually fall over murders in sixteen novels, one novella and a short story? That’s eighteen crimes she has managed to investigate. Continue reading →