This Monday I was lucky enough to go to a lecture on La Dolce Vita by Professor Richard Dyer. I say lucky advisedly. It was pure chance that I went.
I never enjoyed this 1960 movie very much and, apart from its iconic status, remember little about it. But one of my best friends invited me. I wanted to see my friend. And so I went – and got so much more than I expected.
Professor Dyer is the sort of enthusiast I could listen to for ever. Moreover, he loves La Dolce Vita. Not uncritically, you understand. He wrote the British Film Institute’s guide to the movie – which I immediately ordered – and he clearly continues to research its creation and ponder its message(s). Above all he is just wonderful on the gossip that surrounds the movie.
Indeed, a major part of his thesis is that the movie is precisely about that gossip: how it arises, how it is delivered, how it is received. Continue reading