- Special Licence Marriage — Heyer’s Research Failing?
- Heyer Heroes And Falling in Love With One
- New Heyer Stories? Guest Post by Jennifer Kloester
- Day 8 of 12 Days of Christmas : 8 Maids a-Milking & Heyer
- Beautiful heroines, handsome heroes : never ugly, never bald?
- Georgette Heyer Study Day
- The Romantic Hero Revisited — Essential Hero Qualities
- Heyer’s children : too young, too old, just right?
- Georgette Heyer: the problem of brothers (for sisters)
- Who made Georgette Georgian?
- Beau Brummell has lots to answer for…
This last week, I’ve been comfort-reading, which means Georgette Heyer. And the influence of Beau Brummell crops up an awful lot.
He is there, even in novels like Arabella that are set after his flight to France. Brummell might be gone from the scene, literally, but he’s still around, in spirit.
Until that moment [Arabella] had thought Mr Epworth quite the best-dressed man present; indeed, she had been quite dazzled by the exquisite nature of his raiment, and the profusion of rings, pins, fobs, chains, and seals which he wore; but no sooner had she clapped eyes on Mr Beaumaris’s tall, manly figure than she realized that Mr Epworth’s wadded shoulders, wasp-waist, and startling waistcoat were perfectly ridiculous. Nothing could have been in greater contrast to the extravagance of his attire than Mr Beaumaris’s black coat and pantaloons, his plain white waistcoat, the single fob that hung to one side of it, the single pearl set chastely in the intricate folds of his necktie. Nothing he wore was designed to attract attention, but he made every other man in the room look either a trifle overdressed or a trifle shabby. (Arabella, Chapter 6)
“Nothing he wore was designed to attract attention…” That could have been a description of Brummell himself. After all, Brummell was the one who said: “To be truly elegant, one should not be noticed.” Continue reading