It’s useful, when researching, to be able to consult people who were there. But go back more than a century or so — to the Regency in Britain, for example — and there are no living witnesses to consult. Regency novelists — like today’s guest, Elizabeth Rolls — have to rely on other sources.
You may imagine that “other sources” means dusty history books and written materials. But there’s much more than that.
And getting to grips with the non-written stuff can present the odd challenge if the author in question lives 12,000 miles away, in Australia.
As Elizabeth Rolls does…
Elizabeth Rolls loves her research
To research or not to research?
For me, research is a must. I’ve had a book kick off in my mind over a snippet about the crossroads burial of suicides in the early 19th century. The past is very much a foreign country, but add 12 000 miles into the equation and you have a real challenge. Continue reading →
Once upon a time, three writers of Mills & Boon Historicals got together to write a book. The three were Nicola Cornick, Joanna Maitland (me!), and Elizabeth Rolls. This is the cover story of that book of three interlinked novellas — A Regency Invitation.
This blog is not about how the book was written, though we had great fun doing it, creating three love affairs and two mysteries at our Regency house party. No, this post is about the book’s cover — where it started, how it changed over time, and how different international markets adapted the cover look of A Regency Invitation to suit their readers.
Want to know how the Japanese market presents a romance set in Regency England? You can see it further down. And it may surprise you. Continue reading →