I find it really difficult to write a reader review of a novel. As an author I am hugely grateful to the kind people who leave reviews of my books on Amazon and other sites. I deeply feel I ought to reciprocate more. But the whole enterprise is fraught with danger.
This is a recurring problem at this time of year. Between Christmas and the end of the year I usually read a lot.
I finish books I’ve left midway during the year for some reason. And I read my Christmas present books. I read books I’ve been setting aside so I can take a good long run at them. And I experiment with books that other people have recommended during the seasonal socialising. And I go back to old favourites because, let’s face it, this is the time of year when memories get hold of you and I’ve got some lovely Bookish Memories. Continue reading →
“What do editors do?” I asked my first literary agent, having established that it was not, as I had first thought, copy editing. I was very young.
She was an editor by training, temperament and still, occasionally, practice. “Teach you to write,” she snapped.
Over time I came to see that she was right, in one way. They intend to teach you to write what their employer desires to publish and/or knows he can sell. And they want an end product that will do just that.
This is how I think modern editing evolved.
Editors Keep You Legal
Back in the day when printer Samuel Richardson was writing Pamela to keep his presses busy, nobody edited fiction. Printers could be prosecuted for content, so such editing as they did of their clients’ work aimed to keep them out of the law courts. Fiction? Not a risk.
Dickens was his own editor. This could not happen:
Editors Keep You Decent – and may have a go at saleable