The first thing my agent ever said to me was, “Readers hate first person narrative.” I had sent her a thrilling escape-from-the-bad-guys romantic suspense set in Greece under the Colonels. And, yes, it was told in the first person.

Still she’d read the thing. And then taken me to lunch.

So I nodded politely and murmured that it seemed to have worked all right for Jonathan Swift, Charles Dickens, P G Wodehouse and Mary Stewart.

“Yes, but they’re great,” she said impatiently.

I couldn’t deny it.

“What you need to do is forget all this ‘I think, I feel’ stuff. Readers won’t buy it. Concentrate on what people DO.” Continue reading →