Tag Archives: George Eliot

Pen Names

Recently I’ve been thinking a lot about pen names. An aspiring writer (friend of a friend) sought my advice on whether she needed one. She knew that most of my books had been published under a pen name. Indeed, I use it on this website. Understandably, she asked why.

I could only answer part of the question. I’m Sophie Weston on this website because, after fiftyish novels and 11 million+ copies sold, mostly by Harlequin Mills & Boon, that is how readers know me.

Dirty Draft 1st bookBut taking a pen name was never my idea. And the only choice I got was to decide on a name.

I went for Sophie Weston mainly at my mother’s suggestion. We’d seen the movie of Tom Jones and she thought that Sophie, played by Susanna York, looked as a romantic novelist ought to look. Still makes me smile when I remember that conversation.

My agent told me that I had to have a pen name. She implied very strongly that the publisher required it.

Was she right? I can’t say, because I didn’t ask. Certainly most Mills and Boon authors about whom I know anything, including many friends, did and do have pen names.

Romance Author pen names

The late great Mary Burchell, President of the Romantic Novelists’ Association from 1966, was Ida Cook in real life. All the RNA’s papers of the time that I have seen use her pen name. When she died (in harness) very suddenly, there was an outpouring of genuine affection for her in the Newsletter. And every single one called her Mary. Continue reading →

Space Breaking Up Text, the Reader’s Friend

Punctuation was invented to help the Reader. And the very first invention was space breaking up text — so you could tell one word from the next. Seriously.

A couple of months ago I was putting the final touches to an online course on punctuation. Not a subject to rock them in the aisles, I thought. Mind you, I love the stuff. But I have learned that, as a subject of conversation, it doesn’t generally draw children from play and old men from the chimney corner.

exclamation mark in fireSo when I was preparing the course, I thought I’d throw in a bit of history for context.

Only then, of course, I had to check online whether what I remembered was a) accurate and b) still received wisdom. And found something new to me: Aristophanes, Head Librarian of Alexandria aged sixty. He was sitting there, receiving rolls in Greek, the language of the prevailing empire.

Most people then, of course, would be illiterate. So the purpose of these scrolls was to provide a text for someone else to deliver in the market place or to perform as an entertainment.

BUT they arrived with all the letters in a continuous line. Presumably to save papyrus and possibly time, as they were being hand-copied by scribes.

So Aristophanes thought of a way of marking up copies of the text to help the Poor Bloody Orator who had to read them out loud. Continue reading →

Who made Georgette Georgian?

These Old Shades by Georgette Heyer with antihero the Duke of AvonWe are coming up to the centenary of Georgette Heyer’s first published novel, a Georgian romance called The Black Moth, in September this year. I, like many people, first encountered Heyer as the great exponent of Regency Romance. So it startled me, when I first read the The Black Moth, to find it solidly placed in the middle of the eighteenth century.

And that is not the only odd thing about the book. It is also clearly the prequel of These Old Shades, another Georgian romance. It is also a favourite of huge numbers of her fans, and her first runaway best seller. The names have been changed to protect the innocent, but The Black Moth is clearly the back story – well, a good slug of it anyway – of the devastatingly supercilious Duke of Avon. Continue reading →

Fictional Blondes

fictional Blonde La Dolce Vita Mastroianni and EkbergA recent lecture on La Dolce Vita started me thinking about the variety of fictional blondes I have come across in my life. For there is something special about The Blonde. She grabs our attention the moment she appears. Indeed, in twentieth century western culture she became almost an icon.

Yet at the same time she has as many aspects as a Greek goddess, positive, negative and sometimes just plain loopy. And we all know them.

Fictional Blonde“Having a blonde moment,” my friend, author Sarah Mallory, will say, as she discovers the sunglasses she has been searching for are lodged securely on the top of her head.

She’s channelling the Airhead Blonde — charming, disorganised, sometimes a little naïve, sociable, and so good-hearted that you forgive her any amount of stuff that would irritate the hell out of you in a grey-haired matron or a sultry brunette.

Forgive her and maybe even love her. We pay to go and see movies about her. That shows you! Continue reading →

Imperfection for Writers: Good? Bad? Challenging?

 

imperfection in writing and discarded pages

Imperfection sounds bad. Yet I know all about the dangers of perfectionism. But somehow, when it comes to my writing, I never quite believe them.

It feels too easy, like part of that “everyone gets a prize” approach which I deeply mistrust. The sort of thing that makes teachers say, “Ermintrude is too easily satisfied.” Continue reading →