Hi, Sarah here. If you think writing is easy, think again!
Yes, an author might have a burst of creativity, ideas may come thick and fast, but translating those scenes in one’s head into a publishable book can be tortuous. Sometimes anything seems a better option than actually putting words on the page.
Recently, Liz Fielding and I sat down to discuss the problem of procrastination. Then we were distracted!
This week I spent a day with Georgette Heyer. Billed as The Nonesuch Conference, this was at a hybrid gathering at London University, offering a selection of papers from accredited academics together with reader/writer participation from people labelled in the programme as independent scholars.
Clearly, and heartwarmingly, most of the speakers I heard were also fans.
It was preceded by a writing workshop the day before. And there was a Regency Soirée in the evening after the conference, which sounds like a lot of fun.
Sadly, I couldn’t make either of these events. For one thing I’m still convalescent. (My energy gives out unexpectedly, so I didn’t want to push it.) For another, the programme was really full. Academics seemed to be supercharged, cheerily steaming from session to session, enthusiasm still at white heat.
When I read my notes I was astonished at the sheer volume of ideas I had noted down for further consideration. Continue reading →
Writing for a reader is how I finished my very first book. That probably sounds strange, after my heartfelt blog about writing for one’s own inner reader. But the truth is that, although I’d been writing all my life, the very first book I finished was written for a particular reader.
For some time now, people have been asking me to write about what copy editors do and why they’re important. This is a companion piece to last year’s little trot through the origins and history of publishers’ editing: “What Editors Do”.
Why now? I have just actually been reviewing the copy editor’s changes on the text of my new book. So the mind is focused on what I did and what it felt like.
I should point out that, like my blog on editors, this is highly personal. Though I have also drawn on conversations with copy editors and a great talk, some years ago at an RNA Chapter, by jay Dixon, a trained copy editor. Continue reading →
Napoleon Bares his Breast
~ or ~
The Editor Is [almost] Always Right
Two hundred and two years ago — on 7th March 1815, to be precise — Napoleon bared his breast to (what looked like) certain death and lived to fight one more great battle. (And if you’re wondering why we didn’t do this blog two years ago, on the bicentenary, we would plead that this website was a mere twinkle in the hively eye back then.)
A cautionary tale of author and editor
Once upon a time there was an author — let’s call her Joanna — who was writing a trilogy of love stories set in 1814-15, the end of the Napoleonic Wars. (He lost, by the way.) Continue reading →
Two weeks ago, we had Katie Fforde digging in the dirt — with and without Ray Mears! — in order to write about life in the here-and-now. This week, we welcome Jean Fullerton who writes award-winning historical sagas about the not-so-very-long-ago.
It can seem worlds away from where we are now, even though some readers will have lived through the periods of Jean’s stories and experienced exactly the kind of gritty reality she describes. And if you enjoy Call the Midwife, you’ll love Jean Fullerton’s books.
Read on to find out more about the lengths an author goes to in order to get it right…
Jean Fullerton, East London Author
District nurse Jean wasn’t quite like this!
I was born in East London where my family have lived since the 1820s.
I’ve written ten novels set in East London (published by Orion) and am just putting the finishing touches to my eleventh. This one is set during the Second World War, and also in East London. I’m now a full-time writer but I was a District Nurse in East London for over 25 years. These days, I live with my hero just outside London. Continue reading →
It’s useful, when researching, to be able to consult people who were there. But go back more than a century or so — to the Regency in Britain, for example — and there are no living witnesses to consult. Regency novelists — like today’s guest, Elizabeth Rolls — have to rely on other sources.
You may imagine that “other sources” means dusty history books and written materials. But there’s much more than that.
And getting to grips with the non-written stuff can present the odd challenge if the author in question lives 12,000 miles away, in Australia.
As Elizabeth Rolls does…
Elizabeth Rolls loves her research
To research or not to research?
For me, research is a must. I’ve had a book kick off in my mind over a snippet about the crossroads burial of suicides in the early 19th century. The past is very much a foreign country, but add 12 000 miles into the equation and you have a real challenge. Continue reading →
Today our guest blogger is multi-award-winning historical author Sarah Mallory who has more than 40 books under her belt, under various writing names including Melinda Hammond.
Although Sarah was born in the West Country, she now lives on the romantic Yorkshire moors, within a stone’s throw of Brontë country which is, she says, a constant source of inspiration. She is also inspired by history, an abiding love, and the Hive can vouch for her wide knowledge of the Regency and other periods. Get her into a corner (with a glass of something) and the discussion flows wonderfully.
At the request of the Hive, Sarah is going to tell us about her experience of writing historical romantic novels in a series. These days, it’s the received wisdom that readers want series books. So a guide from an award-winning author sounds just the ticket. Over to Sarah . . .