Recently, I have been thinking a lot about lies and liars. I am writing one story and editing another and find that my characters in both lie much more than I am used to.
The lie is a major tool in the writer’s workbox. Often it turns the plot a full one eighty degrees. Sometimes it drives the whole story. Think of de Maupassant’s The Necklace.
But for a lie to work in a novel, you have to have a convincing liar. By that I don’t mean someone who is habitually economical with the truth. I mean someone who has a good reason to lie and does so. And, even more important, someone whom another person, or even many people, will believe.
Whoever you are, wherever you are, Dear Editor, this blog is for you. You’ll find it’s somewhere between a human resources case study and a love letter.
I’ve been writing most of my life. I’ve moved from “Not a semi colon goes” (end of conversation, book never published) to “Whatever you say” (utter misery, nearly stopped writing) and am now definitely at “Looking forward to discussion”. I hope the following may help other authors and their Dear Editor avoid some of my pratfalls — or at any rate, get up afterwards a damn sight faster.
Relationship in the mist
Whether you’re a difficult author or a pussycat, the author-editor relationship is always edgy, groping its way through the mist. You can’t get away from it. There are just too many dark alleys and water’s edges. You think you’re striding along a good straight path of mutual understanding and — KERPLOP!
Both of you have to live with this.
And pull each other out of the water when necessary.