First, I don’t know if the loneliness of the long distance Writer is any different from the horrors that come with any other profession. When we close our eyes at night, we are all alone with our demons, after all, from Accountant to Zoo Keeper.
But I do wonder if there is something peculiar to the occupation of writing which attracts this shadow companion.
And then chains it to us, hip and thigh, when the going gets tough and the carpet disappears under discarded drafts.
So I thought I would share some thoughts on it. Just in case they may be useful to some writer who thinks he or she is alone in the cold and dark. Continue reading →
By Day 9, Mr True Love has gone into the entertainment business. (It is a role he will continue for the rest of the holiday.) He presents our heroine with nine ladies dancing.
You may think, as I do, that this is an odd choice. Frankly, it sounds more like a stag do than a gift to the beloved. Surely it would have been more alluring if he’d invited the object of his affections to dance with him?
Hasn’t he seen Strictly Come Dancing, for Heaven’s sake? (That’s Dancing With the Stars, if you’re across the Pond.) Continue reading →
I think probably every novelist has found themselves writing in secret at some time or other.
I certainly have.
In my case I’d announced that I Was Never Going To Write Another Word after my debut masterpiece — quite rightly — failed to find a publisher. My resolve lasted about 6 months. Just long enough to get a job in a Very Serious Institution and perceive the benefits of a monthly salary. So when I took up my pen again, it was very, very privately.
Yet I was startled to discover Libertà Hive member Joanna Maitland has just published a book I didn’t even know she was working on. (More info here.)
Once upon a time, three writers of Mills & Boon Historicals got together to write a book. The three were Nicola Cornick, Joanna Maitland (me!), and Elizabeth Rolls. This is the cover story of that book of three interlinked novellas — A Regency Invitation.
This blog is not about how the book was written, though we had great fun doing it, creating three love affairs and two mysteries at our Regency house party. No, this post is about the book’s cover — where it started, how it changed over time, and how different international markets adapted the cover look of A Regency Invitation to suit their readers.
Want to know how the Japanese market presents a romance set in Regency England? You can see it further down. And it may surprise you. Continue reading →
Love match weddings, achieved after much conflict and tribulation, have been a staple of popular novels ever since Pamela. These days it is a given in western society that young people make their own marital choices — in theory, every wedding should be a love match.
So it’s easy to forget that it wasn’t always so, especially among the gentry and aristocracy about whom Joanna and our guest bloggers Anne Gracie, Louise Allen and Nicola Cornick write so delightfully. The grim evidence of bullying, family interests and the protection of property at all costs, is set out in historian Lawrence Stone’s masterly account of courtship, marriage and divorce in England before the 1857 Matrimonial Causes Act, which reformed the law on divorce.
Yet those Georgian and Regency writers do have some historical justification for their True Love and Happy Ever After stories. And that’s all we readers need, right? It wasn’t all bad. Sometimes love triumphed in real life. Continue reading →
At some point every romantic novelist faces the Wedding Dilemma.
If they do — how, when and where?
On the page?
On the last page?
Of course, the purist’s answer is: whatever is right for the characters. But, just as organising a real-life wedding needs to take account of friends and family, the end of a story — perhaps more than any other part of the book — is there to satisfy Readers. To provide emotional closure.
Do Readers want, need a wedding to achieve that? Even if the characters don’t? Continue reading →
Libertà’s First Reader Love Letter to a Favourite Novel
Our Love Letter to a Favourite Novel feature is still a work in progress. We’ve now refined it in the light of comments we’ve received from (we hope) intending contributors. We’re really grateful for all the supportive and encouraging suggestions and we hope you will keep them coming.
At this stage, we’ve got a couple of watchwords for ourselves and our contributors as they write their Love Letters: sharingand authenticity.
Sharing— we want everyone who reads these posts to feel at home here, whether they’re a fellow author or not.
Authentic— the piece doesn’t have to be unalloyed praise. Love isn’t always blind, after all. If readers think a character was short changed or there’s something they wish had or hadn’t been in the book, but nevertheless they still love it, they should go ahead and say so in their Love Letter.
You can read more about the latest news on the Love Letter to a Favourite Novel feature on the main page.