Quite often, it’s objects or artefacts that inspire me. Take this gorgeous Chinese lacquer and embroidered silk screen, for example. It may date from as early as the 1820s and is now in the Victoria & Albert Museum’s collection. I found it when I was looking for ways of illustrating a blog about the Regency pelisse, which ladies wore outdoors to keep warm.
Inside, they wore shawls. Houses, back then, tended to be draughty, hence the need for draught screens, like this one. Continue reading →
Epiphany — 6th January — marks the end of the 12 Days of Christmas, and the day when the Three Kings brought gifts to the infant Jesus. The tryptich above is by Hieronymus Bosch, dated to around the end of the 15th century. But, with apologies to those who prefer the religious meaning of Epiphany, that’s not what I’m writing about in this blog.
In the UK, Epiphany can be a bit of a downer, an end to things. It’s when we take down our Christmas decorations, put the cards in the recycling bin, and chop up the tree ready for the bonfire. We go back to work, if we haven’t done so already. The fun and games are over. Once we’ve hoovered up all the pine needles and the glitter that gets absolutely everywhere, the house looks a bit drab, doesn’t it? (And, next year, glitter is definitely banned in the Maitland house!) Continue reading →
Readers are fascinated by writers’ ideas. Where do you get them from? they ask.
Over and over again.
Sometimes we writers know. And sometimes — to be frank — we don’t.
How many of us have woken up in the morning with clear ideas about a new book and no inkling about how those ideas came to be? How many of us have more ideas jostling about in our brains than we can deal with?
For most of us the difficulty isn’t finding the ideas, it’s turning them into a coherent story with a beginning, a middle, and an end.
Here’s a case in point.
Ideas? Silver shreds for starters…
It began quite a long time ago. And it was all the fault of my crit partner, Sophie Weston of this parish… Continue reading →