Love match weddings, achieved after much conflict and tribulation, have been a staple of popular novels ever since Pamela. These days it is a given in western society that young people make their own marital choices — in theory, every wedding should be a love match.
So it’s easy to forget that it wasn’t always so, especially among the gentry and aristocracy about whom Joanna and our guest bloggers Anne Gracie, Louise Allen and Nicola Cornick write so delightfully. The grim evidence of bullying, family interests and the protection of property at all costs, is set out in historian Lawrence Stone’s masterly account of courtship, marriage and divorce in England before the 1857 Matrimonial Causes Act, which reformed the law on divorce.
Yet those Georgian and Regency writers do have some historical justification for their True Love and Happy Ever After stories. And that’s all we readers need, right? It wasn’t all bad. Sometimes love triumphed in real life. Continue reading →
Today, our guest blogger is Louise Allen, award-winning author of historical romances set in the Regency period and creator of many a gorgeous romantic hero. But she’s also written books set in the 17th and 18th centuries, plus one set back in AD410! She’s clearly been bitten by the history bug, big time, and her many fans are more than happy to follow her into any period she chooses.
Louise writes non-fiction about her historical interests, most recently the story of the first tourists to the Waterloo battlefield, in their own words. There is also a fascinating guide to walks in Jane Austen’s London — a boon for visitors and much recommended.
Given Louise’s very wide interests, we did wonder what she would choose to blog about…
Louise Allen finds her Hero
Where does a story come from? As a novelist I’m often asked that question and usually the answer is, “I have no idea, it just arrived.”
For one book, however, The Dangerous Mr Ryder, I am very clear where it came from, although the origins of the hero still elude me. Continue reading →
We like to think of Libertà as a hive of worker bees, buzzing away industriously, creating good and sweet produce for readers to enjoy. But 200-odd years ago, the bee was a French Imperial symbol. Napoleon’s Bees were — to coin a phrase — the bees’ knees.
(Sorry. Couldn’t resist. Feel free to groan!)
Where did Napoleon’s bees come from? Why did the bee become a French symbol rather than the fleur-de-lys?