With apologies to Abraham Lincoln – I couldn’t resist – it is thirty years ago, almost to the day (it was actually December 2) when my first book, An Image of You, was published.
It was my fourth attempt to write a book for Mills and Boon. I do, somewhere, still have my first rejection letter. I seem to recall the word “wooden” used to describe my characters, and a suggestion that I read books by Elizabeth Oldfield and Vanessa Grant. As you can tell, it is ingrained in my memory.
I later had the enormous pleasure of meeting Elizabeth at author lunches, along with so many fan-favourite romance authors. But back to that precious moment. The arrival of my first box of books. I’d been out somewhere and when I came home the box was sitting on my desk, with my husband and daughter staring at it, waiting for me to open it. Continue reading →
Earlier this week, our own Liz Fielding published a blog about her series covers over 30 years of her writing career. It was fascinating. And it made me think about brands and series.
What makes Series Covers?
Harlequin Mills & Boon have been producing different series for decades. Readers may be fans of one or more of these series. Perhaps they love Medicals (left), or Historicals (right).
Readers expect to be able to identify their particular series covers the moment they look at the shelves in the bookshop. It used to be easy because of the colour coding: for example, Medicals were the jade green shown above; Historicals were Dairy Milk Purple. Modern and Romance (of which more below) also had the swoosh against blue (for Modern) and orange (for Romance).
And within their favourite series, readers want to be able to pick out the authors whose books they love. Preferably without having to peer at tiny or barely legible print. The two cover images above don’t get very high marks on that front. It would have been easy to remedy, though.
To give the paying customers what they want.
Simples, no? Isn’t that what branding is about? Well… Continue reading →
As a follow-up to last weekend’s blog on the virtual ceremony for the RNA Awards 2021, this week we’re delighted to be able to welcome Kate Hardy, the winner of the LIbertà Books Shorter Romantic Novel Award 2021 for A Will, A Wish and A Wedding.
Kate is an old mate of the Libertà hive. She was one of the very kind authors who welcomed the then unpublished newbie, Joanna Maitland, to her very first RNA meeting. That was well over 20 years ago and Kate says she doesn’t remember. But Joanna does and is still grateful.
Kate comes—be warned—with hairy hangers-on. So this is partly a writer’s pet blog too. It’s about time we did another of those, don’t you think?
Kate’s hangers-on, Archie (the big one) and Dexter, rejoice in the title of Edit-paw-ial Assistants.
More from them later.
Keep reading, as Kate tells us about how she became a published author and how she came to write the lovely butterfly-filled book that won our award.
Kate Hardy writes…
I’m thrilled to be here, as the winner of the 2021 Libertà Books Shorter Romantic Novel Award. It’s a glorious collision of numbers: for my 90th M&B, in my 20th year of being a M&B author and my 25th year of being a member of the RNA. And it’s also the third time I’ve won the award. As the photo below shows, I really wasn’t expecting it — and I’m so delighted!
The Romantic Novelists’ Association (RNA) reaches its Diamond Jubilee in 2020. Wow! That makes the RNA more venerable than pretty much all the other writers’ organisations. All the ones that we know of, anyway.
Possibly NOT an RNA member?
So the writers in the Libertà hive started reminiscing — as you do — about what the RNA has meant to each of us. We’re all long-standing members. And it’s an organisation that we revere.
But why? What’s so special about the RNA?
Basically, it’s the people in the RNA and the values they stand for. And the support and friendship that the association provides. Don’t believe any rubbish you hear about romance writers stabbing each other in the back. That was a bad joke from a writer in a non-romance genre — who honestly should have known better.
Writers in the RNA are the most helpful, supportive, loving bunch you could ever meet. They know the romance market is vast. No single romance writer can satisfy all those readers out there. So it’s in all our interests to grow the market and help each other.
I began, but where? How? What was the inciting moment?
Liz Fielding’s Latest Book The Billionaire’s Convenient Bride
Every time I finish a story, I try to remember where it began, in this case to try and put my finger on the exact moment when The Billionaire’s Convenient Bride stopped being a mess of stuff in my head and began to be a story.
Sometimes it’s so clear.
I once saw a great house set high up in the woods as I was being driven to Cheltenham. I instantly pictured a woman standing on the doorstep. Angry, not wanting to be there. She had a wedding to arrange. The man who answered the door was expecting someone else so he wasn’t happy, either. And then there was the baby.
I don’t usually add dogs to my books. That’s because, like babies and small children, you constantly have to remember where they are. Make sure they’re being taken care of.
This time, however, I found myself desperate for a dachshund. I have an entire Pinterest page devoted to them! I began buying stuff with dachshunds on them. Notebooks, socks, a Christmas sweater — they are, I discovered to my joy, everywhere. This is Dora.Continue reading →