At some point every romantic novelist faces the Wedding Dilemma.
If they do — how, when and where?
On the page?
On the last page?
Of course, the purist’s answer is: whatever is right for the characters. But, just as organising a real-life wedding needs to take account of friends and family, the end of a story — perhaps more than any other part of the book — is there to satisfy Readers. To provide emotional closure.
Do Readers want, need a wedding to achieve that? Even if the characters don’t? Continue reading