The BBC’s recent 100 Books that Shaped our Worldhas started me thinking about comfort reads. What are they? When do we want them? Maybe even need them, indeed. What do they do for us? And how do we find them in the first place?
And is comfort reading a Bad Thing?
Escapism, after all, has got a bad press ever since the word was first coined, apparently in thirties USA i.e. at the height of the Depression. The Oxford English Dictionary defines escapism as “the tendency to seek distraction and relief from unpleasant realities, especially by seeking entertainment or engaging in fantasy.”
Today our guest blogger is Lesley Cookman, an author who is probably most widely known for murder mysteries featuring her amateur sleuth, Libby Sarjeant.
But Lesley also writes in lots of other genres.
Lesley is the author of seven pantomimes, a Music Hall Musical, two romances and sixteen books in the Libby Sarjeant series. She has also written the first in what she hopes will become a new series about an Edwardian Concert Party. In describing her professional life, Lesley says she “writes a lot, reads a lot and occasionally acts a bit.” Sounds like a typically tongue-in-cheek description!
Libertà hive members know what it’s like to keep trying to find new plots for romantic entanglements, but Lesley’s challenge is probably even greater. Her sleuth is established, but how do you find yet another scenario for an unexplained death that your amateur sleuth can solve?
Over to Lesley…
New Ideas for the Amateur Sleuth
New ideas for the amateur sleuth?
“If only,” says the beleaguered writer.
“Can’t wait,” says the eager reader.
Suspension of Disbelief
I sometimes think that, apart from Fantasy Fiction, the amateur sleuth mystery is the one genre in which readers are the most determined to suspend disbelief. Take my own Libby Sarjeant. How could one middle-aged woman actually fall over murders in sixteen novels, one novella and a short story? That’s eighteen crimes she has managed to investigate. Continue reading →