Writers of historicals are always on the lookout for anachronisms. They still trip us up, time and again. But the real elephant traps are the unknown unknowns [© D Rumsfeld?], the things we don’t know we don’t know—and, as a result, we don’t know we’re getting wrong.
I was prompted to write this blog by some of the reactions to my post about habit words, a couple of weeks ago. So this week’s post is about anachronisms of various kinds.
Anachronisms? The standard definition is something out of its time—an object, an expression, an attitude—something that does not belong in the period of the story.
We wouldn’t put electric light in a Regency setting, for example. That one is easy to spot. But how am I, as a historical writer, supposed to spot the ones that lurk in the undergrowth of my ignorance? Continue reading