Writing for a reader is how I finished my very first book. That probably sounds strange, after my heartfelt blog about writing for one’s own inner reader. But the truth is that, although I’d been writing all my life, the very first book I finished was written for a particular reader.
My Inner Reader and Editing have rather taken over my life in the last few months. This is for a range of reasons. The reasons were all pleasant – or , at least, interesting. But her arrival was a surprise. And, as it turns out, a game changer.
By pure serendipity, this last week has turned out to be all about editing.
It wasn’t supposed to happen. I had finished the substantial edits needed on my new book, The Prince’s Bride. I felt they made the story hugely better. The publisher’s editor accepted them. The book went up on Amazon for pre-order. It should all have been done and dusted.
I don’t know if I’m a particularly picky reader, but I do like a novel to have some sort of resolution. It doesn’t have to be a traditional happy ending – though, as a writer, I always end up with my characters looking forward hopefully. But that’s my quirk.
I can take bereavement, despair or the end of the world in other people’s books. Even enjoy them in a Having a Good Cry sort of way.
What I can’t be doing with, is to turn the page and find that there’s no more book. And in the last few months I’ve found that happening more and more.
Re-reading some of my favourite Georgette Heyer novels recently — Dame Isadora snagged me as the minion to do the research for her blogs because she, being a Very Important Personage, had Better Things To Do — I was struck by how often Heyer brings her lovers together at the very end of her novels, sometimes on the very last page.
Heyer might give us a chaste embrace. She might even give us a fierce kiss or two. And she often adds a shared joke.
But that’s about it.
What we don’t get in Heyer is a lovers’ wallow.
What’s a wallow?
I’d describe the wallow as a shortish section at the end of a love story where the reader sees the lovers together and passionately in love — both of them trusting and relaxed and happy. Sometimes the lovers are married, sometimes they have had children, sometimes they are simply enjoying each other.
It’s the Happy Ever After ending shown right there on the page for the reader to savour.
Some readers love a wallow. Some readers even feel shortchanged if a novel doesn’t have one at the end. But readers still love all those Heyer novels that don’t have the merest hint of a wallow. So…
Whoever you are, wherever you are, Dear Editor, this blog is for you. You’ll find it’s somewhere between a human resources case study and a love letter.
I’ve been writing most of my life. I’ve moved from “Not a semi colon goes” (end of conversation, book never published) to “Whatever you say” (utter misery, nearly stopped writing) and am now definitely at “Looking forward to discussion”. I hope the following may help other authors and their Dear Editor avoid some of my pratfalls — or at any rate, get up afterwards a damn sight faster.
Relationship in the mist
Whether you’re a difficult author or a pussycat, the author-editor relationship is always edgy, groping its way through the mist. You can’t get away from it. There are just too many dark alleys and water’s edges. You think you’re striding along a good straight path of mutual understanding and — KERPLOP!
Both of you have to live with this.
And pull each other out of the water when necessary.
How many of us owe a lifelong love of a particular author to serendipity?
The kind of happy accident — in a bookshop, or a book sale, or perhaps even a hotel bedroom — when we pick up an author we haven’t heard of and start to read.
And ten minutes, or ten pages, later, we have the key to a whole new world and we are well and truly hooked.
New Love Letter to a Favourite Novel
Today’s new Love Letter is from a male reader (small fanfare of trumpet here for sex equality in reading!). David describes the effect of just such an unexpected discovery — a hitherto unknown writer who has since become a must-buy for him and an essential part of his reading landscape.
Just the thing to warm the cockles of every writer’s heart.