Re-reading some of my favourite Georgette Heyer novels recently — Dame Isadora snagged me as the minion to do the research for her blogs because she, being a Very Important Personage, had Better Things To Do — I was struck by how often Heyer brings her lovers together at the very end of her novels, sometimes on the very last page.
Heyer might give us a chaste embrace. She might even give us a fierce kiss or two. And she often adds a shared joke.
But that’s about it.
What we don’t get in Heyer is a lovers’ wallow.
What’s a wallow?
I’d describe the wallow as a shortish section at the end of a love story where the reader sees the lovers together and passionately in love — both of them trusting and relaxed and happy. Sometimes the lovers are married, sometimes they have had children, sometimes they are simply enjoying each other.
It’s the Happy Ever After ending shown right there on the page for the reader to savour.
Some readers love a wallow. Some readers even feel shortchanged if a novel doesn’t have one at the end. But readers still love all those Heyer novels that don’t have the merest hint of a wallow. So…
Whoever you are, wherever you are, Dear Editor, this blog is for you. You’ll find it’s somewhere between a human resources case study and a love letter.
I’ve been writing most of my life. I’ve moved from “Not a semi colon goes” (end of conversation, book never published) to “Whatever you say” (utter misery, nearly stopped writing) and am now definitely at “Looking forward to discussion”. I hope the following may help other authors and their Dear Editor avoid some of my pratfalls — or at any rate, get up afterwards a damn sight faster.
Relationship in the mist
Whether you’re a difficult author or a pussycat, the author-editor relationship is always edgy, groping its way through the mist. You can’t get away from it. There are just too many dark alleys and water’s edges. You think you’re striding along a good straight path of mutual understanding and — KERPLOP!
Both of you have to live with this.
And pull each other out of the water when necessary.
How many of us owe a lifelong love of a particular author to serendipity?
The kind of happy accident — in a bookshop, or a book sale, or perhaps even a hotel bedroom — when we pick up an author we haven’t heard of and start to read.
And ten minutes, or ten pages, later, we have the key to a whole new world and we are well and truly hooked.
New Love Letter to a Favourite Novel
Today’s new Love Letter is from a male reader (small fanfare of trumpet here for sex equality in reading!). David describes the effect of just such an unexpected discovery — a hitherto unknown writer who has since become a must-buy for him and an essential part of his reading landscape.
Just the thing to warm the cockles of every writer’s heart.
Libertà’s First Reader Love Letter to a Favourite Novel
Our Love Letter to a Favourite Novel feature is still a work in progress. We’ve now refined it in the light of comments we’ve received from (we hope) intending contributors. We’re really grateful for all the supportive and encouraging suggestions and we hope you will keep them coming.
At this stage, we’ve got a couple of watchwords for ourselves and our contributors as they write their Love Letters: sharingand authenticity.
Sharing— we want everyone who reads these posts to feel at home here, whether they’re a fellow author or not.
Authentic— the piece doesn’t have to be unalloyed praise. Love isn’t always blind, after all. If readers think a character was short changed or there’s something they wish had or hadn’t been in the book, but nevertheless they still love it, they should go ahead and say so in their Love Letter.
You can read more about the latest news on the Love Letter to a Favourite Novel feature on the main page.
When I was a child, Christmas was the smell of oranges and cigars and the Christmas tree, resinous and strange. Put any two of them together and it still bounces me right back into the past, bringing with it firelight, the bustle of friendly company, a sense of holding my breath in excitement. Smell is the first route by which I recall emotion.
Why smell evokes memory : the science bit
There is a reason for this, I find. Olfactory neurones in the upper part of the nose generate an impulse which signals the limbic system, that part of the brain which controls not only memory but also emotion, mood and behaviour. Supposedly, this is one of the most primitive parts of the brain.
Smell — the fallen angel of senses?
Apparently, Helen Keller called smell “the fallen angel of the human senses” because we don’t use it any more to tell us there’s a tiger in the area. And I agree that we live in an intensely visual age, with more communication illustrated than ever before.
But we do still smell food that has gone off.
And, even more important to the romantic novelist, smell is an important part of sexual attraction. Continue reading →
When potential readers look at your book on Amazon, does the blurb have impact?
Or do they ignore it because it looks boring?
If so, this is the blog for you — how to fill out that description box on KDP to give your blurb visual impact.
Your Blurb Text
This guide is not about how to write your blurb text. You’re a writer. It’s what you do, isn’t it?
“True,” you reply, grimacing, “but I write novels, not 80-word blurbs. Blurb-writing is hell on wheels.” Most writers would sympathise, so here’s a link to an excellent blog about writing back cover blurb by K J Charles who is both an accomplished writer and a professional editor.
For this blog, I’m concentrating on how to give your wonderful blurb visual impact.
Among other advice in the K J Charles blog is: “keep it short”. When potential buyers see your book on Amazon, they normally see only the start of your blurb. Unless your opening lines have visual impact, readers may not click to read the rest. And if they don’t read your blurb, they probably won’t buy your book, either.
Catching the reader’s eye matters
Adding Visual Impact with HTML Codes : A Worked Example
If the Libertà hive ever needs a household god, we may well plump for the Roman Janus, god of beginnings and transitions. Janus usually appears with two heads. That means he not only tells you where you are, he can tell you where you’ve been, too.
Janus is also the god of gates, doorways, passages and endings, the sort of god who is useful for showing you, and us, the way.
So here we have a god of beginnings, middles, endings. Readers like all of those, and they’re pretty useful for writers as well. At Libertà, we’ve come to think that Janus is probably our guy. Continue reading →