You may already be fed up with coronation information and PR. However, my blog this week is not about next Saturday’s coronation of Charles III. It’s about earlier ones, specifically about the outrageously extravagant coronation of George IV on 19 July 1821.
Well, the long Regency is my period, isn’t it?
And although the Regency ended on the death of George III on 29th January 1820, the coronation had to be delayed from August 1820 because the new king wanted to deal with the “problem” of Caroline of Brunswick.
He didn’t succeed in divorcing her, but he did succeed in keeping her out of his coronation. She died two weeks later, still Queen Consort, but never crowned.
Why was George IV’s coronation so extravagant?
Two basic reasons. First, the new king’s love of excess. Second, Napoleon. Continue reading →
After Joanna’s mind-bending jaunt through French and Female Language last week, I’ve been pondering Female Power and the Would-be Regency novelist. Or pretty much any sort of historical novelist, I suppose.
Today’s assumptions are different from those of the past, any past, and never more so than on the issue of female agency. In general we assume that such women of the past as are now largely invisible to history were also invisible in their own time, at least outside the domestic sphere. Basically men had cornered the market in how the world was run and women had no alternative but to do what they were told.
December sees the publication of my latest Regency romance for Harlequin Mills & Boon. It is also the time of festive fun and pantomimes, so the Cinderella title is very apt, I think.
Cinderella and the Scarred Viscount
CLICK COVER TO BUY
Once upon a time….
Philip James de Loutherbourg, Public domain, via Wikimedia Commons
The story is set in Regency England but its origins are much further afield. Spain in fact. The whole thing starts with the Spanish Armada!
Many Spanish ships from that ill-fated expedition came to grief around the British Isles, and the are many stories of survivors “leaving their mark” on the local population in the form of dark eyed, dark haired children. My heroine, Carenza, has this dark colouring, inherited from her mother.
Of course, she isn’t the first literary character to have such a heritage. The one that springs first to my mind is Jimmy Perez in Ann Cleeves’ Shetland series (not that the lovely Dougie Henshall, who plays Perez in the TV series is dark haired OR dark-eyed).
Life is getting difficult for writers of Georgian and Regency romance
Shave? Our Regency heroes have traditionally been clean shaven. In fact a quick flick through Mills & Boon’s book of cover designs, The Art of Romance, has only one cover with any facial hair on a man. It is a small, neat moustache. I confess I haven’t read the book, but I am not convinced that he is the hero. However, a quick look in any street or on social media will tell you that beards are now becoming fashionable. Designer stubble is already creeping in, will full beards follow?
My latest Harlequin/Mills & Boon release is set in the Highlands in 1746, so I think we can get away with a small amount of facial hair…
One of the casualties of the pandemic has been language. Clarity matters. What, I ask you, is social distancing?
Social distancing? Or is it really physical distancing?
In my (pedant’s) book, social distancing relates to the strata of society.
So… Regency aristocrat Lady Evadne Piddling-Coot is socially distanced from her washerwoman Hattie Gutbucket. If they were to meet — unlikely, one would think — Hattie would drop a curtsey and say nothing. Or, if they met in a confined space such as a staircase, Hattie would turn to face the wall and Lady E would continue on her regal progress as if Hattie were not there at all.
Some fellow pedants have pointed out (in vain, sadly) that social distancing actually means physical distancing. What else could it mean, when we are talking about 2 metres, or 1 metre, or 1 metre plus? Continue reading →
Readers are fascinated by writers’ ideas. Where do you get them from? they ask. Over and over again.
Sometimes we writers know. And sometimes — to be frank — we don’t.
How many of us have woken up in the morning with clear ideas about a new book and no inkling about how those ideas came to be? How many of us have more ideas jostling about in our brains than we can deal with?
For most of us the difficulty isn’t finding the ideas, it’s turning them into a coherent story with a beginning, a middle, and an end.
Here’s a case in point.
Ideas? Silver shreds for starters…
It began quite a long time ago. And it was all the fault of my crit partner, Sophie Weston of this parish… Continue reading →
As anyone researching the Regency period knows, the rake — the real Regency rake — was dangerous, unscrupulous and sometimes even a vicious womaniser.
I am very sorry, dear reader, if I have shattered your illusions.
Many of us like the fantasy of “taming” a bad boy, but most of us know in our hearts that it is nigh on impossible. Not quite impossible, of course. There are exceptions to the rule, but these are probably as rare in real life as the number of real live dukes in existence (which may be material for another story, another time).
There is always something to research for a new book. Often it seems obvious — military history for instance, when one sets a book around the Battle of Waterloo; or costume details for the period.
We have to invent a history for each of our characters. It may not feature in the actual book, but it is very necessary. As my latest book has proved. Continue reading →
I usually write Regency romances. So I have to keep an eye on developments in the market. And covers are a vital part of getting readers to pick up a book.
What prompted a modern woman to pick up a Regency romance?
If I were to generalise from the many Regency covers I’m seeing these days, I’d say that quite a lot of them look too modern. They don’t say “Regency” to me.
I’m not sure whether it’s the heavy make-up, or the hairstyles, or the clothes, or just the knowingness that 21st century models seem to display. Whatever it is, very few of the females on today’s Regency covers look (to me) anything other than a modern woman playing at being in the Regency. Continue reading →