After Joanna’s mind-bending jaunt through French and Female Language last week, I’ve been pondering Female Power and the Would-be Regency novelist. Or pretty much any sort of historical novelist, I suppose.
Today’s assumptions are different from those of the past, any past, and never more so than on the issue of female agency. In general we assume that such women of the past as are now largely invisible to history were also invisible in their own time, at least outside the domestic sphere. Basically men had cornered the market in how the world was run and women had no alternative but to do what they were told.
I have always found researching the back ground for my stories to be the greatest fun. But it is not all joy. Worse, it can be counter-productive.
As this year is on the brink of turning, I have been taking stock of my writing habits and also my output. Well, a little. Not the full audit, you understand. Just a gentle canter through those things that I have done, and those that I have left undone. And why.
And the reason, I fear, is often Research.
So I thought some people might be interested in my conclusions on research, its pitfalls and pleasures.
I am a storyteller. Does that have to mean research overload?
Storytelling is an art as old as time. I make up stories, tell yarns.
I am not an academic, I didn’t go to university and I didn’t study the art of writing at any college. I remember telling stories in primary school (possibly it began even earlier, I can’t remember) and I learned my art as I went along. Still do, in fact.
So I am NOT telling you how to write (or how to read). I am talking about stuff that distracts me when I’m reading a novel. Things I try to avoid.
“Write what you know”
We have all heard that old maxim, but whatever genre you write in, you will come across something that needs you to do a little research. At least, that is my experience. Continue reading →
Creating a whole new world is one of the things I love about starting a new book.
The Mappa Mundi in Hereford Cathedral
I love that moment when a story is forming in my head. The whole world is my oyster.
And yes, I admit food and wine are often involved in the initial creation process….
The past few weeks while I have been working on my new book have been particularly fascinating. It always involves lots of daydreaming as I think of plots and characters, but one of the most enjoyable parts of starting a new story is the setting.
When and where will my characters live in this new world?
As a follow-up to last weekend’s blog on the virtual ceremony for the RNA Awards 2021, this week we’re delighted to be able to welcome Kate Hardy, the winner of the LIbertà Books Shorter Romantic Novel Award 2021 for A Will, A Wish and A Wedding.
Kate is an old mate of the Libertà hive. She was one of the very kind authors who welcomed the then unpublished newbie, Joanna Maitland, to her very first RNA meeting. That was well over 20 years ago and Kate says she doesn’t remember. But Joanna does and is still grateful.
Kate comes—be warned—with hairy hangers-on. So this is partly a writer’s pet blog too. It’s about time we did another of those, don’t you think?
Kate’s hangers-on, Archie (the big one) and Dexter, rejoice in the title of Edit-paw-ial Assistants. More from them later.
Keep reading, as Kate tells us about how she became a published author and how she came to write the lovely butterfly-filled book that won our award.
Kate Hardy writes…
I’m thrilled to be here, as the winner of the 2021 Libertà Books Shorter Romantic Novel Award. It’s a glorious collision of numbers: for my 90th M&B, in my 20th year of being a M&B author and my 25th year of being a member of the RNA. And it’s also the third time I’ve won the award. As the photo below shows, I really wasn’t expecting it — and I’m so delighted!
Apart from, “Where do you get your ideas from?” that has to be the question writers are most asked.
And the answer is, for me, yes, actually.
Quite a lot.
Pinterest, Google, Youtube
Even before I put finger to keyboard I scour Pinterest, seeking ideas for locations, looking for photographs of places and characters as I build my storyboard. This is the one I’ve created for A Harrington Christmas (it’s a working title!)
Mostly, after that, it will be diving into Google as questions crop up? What is the temperature in Nantucket in March? What is the time difference between Paris and Singapore? Is there already a restaurant in London called any of the half a dozen names I’ve come up with — and yes to every one. Continue reading →
There are a couple of months to go before we need to start to panic, but the groans are undoubtedly justified.
The children have only just gone back to school, the supermarket aisles are full of the momentary distraction of fake pumpkins and Halloween costumes, but they are already piling up the Christmas chocolate. (I took these two photographs just this morning.) And greetings cards are on sale for those organised enough to get them written before they get swept up in the season.
So. It is Almost Out (just like one of Heyer’s hopeful young ladies of the Regency). The Highborn Housekeeper. My book about a noblewoman turned cook. A kind of Regency Nigella. And funnily enough, my heroine resembles her, too. In my head.
Picture by Brian Minkoff-London Pixels
Controlling Fallen Women?
A few years ago I wrote about the fallen women of Compton Parva. (That was my working title. It was published by Harlequin/Mills & Boon as The Ton’s Most Notorious Rake.)
One of the “fallen women” was Nancy, the big-hearted, big-bosomed earl’s daughter who was the mother hen of the group, looking after everyone.
Controlling Nancy? She was far too large a personality to be confined to a bit part in one book. I fought it, I truly did, but no. She would NOT lie down. Continue reading →
Hi, Sarah here. If you think writing is easy, think again!
Yes, an author might have a burst of creativity, ideas may come thick and fast, but translating those scenes in one’s head into a publishable book can be tortuous. Sometimes anything seems a better option than actually putting words on the page.
Recently, Liz Fielding and I sat down to discuss the problem of procrastination. Then we were distracted!