Tag Archives: Robert Browning

Medium Fiction

No, this blog is not about a new modestly priced genre for the  middle-aged, middle-gendered, middle-brow reader. This blog is about stories built around the figure of the professional medium. Because I’ve just read a cracking good one, and realised that it’s a subject I bump my nose on every few years. I don’t always like them, as you will see, but they often give me that little kick of electricity which means I never quite forget them.

Medium in All That Was LostThe Book that started this is All that Was Lost, by Alison May, published last Thursday.

The main character is, indeed, a professional medium. Very professional. One doesn’t entirely trust her but there is something oddly reassuring about her, though she clearly has some well-buried issues. She grows in stature throughout the book. Indeed, as in so many relationships, the reader alternately engages and retreats. I was 100% on her side by the end, though.

I found this a page-turner, intriguing and consistently engaging – and quite unlike anything else I have read this year. A refreshment to the jaded palate indeed. Continue reading

Subtext and Space Between the Words

Roman Holiday subtextI’m intrigued by subtext and, in particular, the space between the words in a novel. 

Yet perhaps the most perfect example of this is not in a novel at all, but in a movie. It’s the little miracle that is Roman Holiday, starring a luminous Audrey Hepburn as a stifled princess. Gorgeous Gregory Peck plays against type as a distinctly dodgy expat newspaperman. They don’t have a Happy Ever After ending, either. Yet its perfect, mostly because of that extra layer of meaning.

Why Subtext in Roman Holiday is Interesting for Novelists

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