I’ve always imagined that most writers have that unfinished book in their files somewhere.
Often, I imagine, it would be one that came to a halt because of external circumstances. The day job gets frantic for three months and when you go back to the book you read the first chapter and think: who are these people? Yes, that happened to me.
Or you get ill. Or there is a sudden family crisis.
Sometimes it is to do with the book itself — a publisher changes their mind, for instance. And yes, I have one or two of those. (One I was very glad to stop, to be honest. I’d really gone off the hero.)
I still have a 40K word file of a book I really liked. It was a sequel that the publisher decided, mid-creation, they didn’t want after all. Please could they have a romance based on a (then) popular reality television show instead?
I was talking to my daughter over lunch the other day about the books we’re reading.
She belongs to a book group that reads “serious” fiction and, coming up on their list is Lessons in Chemistry, by Bonnie Garmus. It’s a book much loved by Sophie Weston and I have taken advantage of Amazon’s “download a sample” button to get a feel for the voice, the story.
Reading cozy crime
My daughter and I talked about a crime series that I’ve read (not cozy) Harry Bingham’s Fiona Griffiths series. Annoyingly, it appears to have stopped, leaving a lot of questions unanswered.
She downloaded the first book but she’s not sure. She didn’t quite take to the main character and while I read very fast on kindle, she listens on audio (she has three children and doesn’t have time to sit down with a book) which gives the listener a surprisingly different experience.
I knew the series was set in Wales but she was getting the accents, which can make listening hard work.
Books set in bookshops
Then, because I enjoy cozy crime, she mentioned a book by Helen Cox, called A Body in the Bookshop that she thought I might like and we started talking about how many books are set in and around bookshops.
Amy suggested I try the Pultizer prize winner, The Sentence by Louise Erdrich, which was on her book group list. Time for another sample because there is something inherently appealing about a book set in a bookshop.
I fell in love with Helen Hanff’s 84 Charing Cross Road a lifetime ago – and Anthony Hopkins in the film, playing the man with whom she had a long and profitable correspondence.
Anne Bancroft fell in the love with the book, too, and her husband, Mel Brookes, bought the film rights so that she could play Helen.
January sees the publication of my 70th book for Harlequin Mills and Boon and in the darkest days of winter, it offers the scents and colour of warm early summer days.
Redeemed by Her Midsummer Kiss
Click Cover to buy the book
When a book is written and has been through the publication process, I often struggle to remember what inspired the original idea. How it got from a blank screen to the physical book that I’m holding in my hand.
Redeemed by Her Midsummer Kiss was like that.
I do know that I was thinking about an earlier book in which the garden had featured heavily and which I’d loved writing.
December sees the publication of my latest Regency romance for Harlequin Mills & Boon. It is also the time of festive fun and pantomimes, so the Cinderella title is very apt, I think.
Cinderella and the Scarred Viscount
CLICK COVER TO BUY
Once upon a time….
Philip James de Loutherbourg, Public domain, via Wikimedia Commons
The story is set in Regency England but its origins are much further afield. Spain in fact. The whole thing starts with the Spanish Armada!
Many Spanish ships from that ill-fated expedition came to grief around the British Isles, and the are many stories of survivors “leaving their mark” on the local population in the form of dark eyed, dark haired children. My heroine, Carenza, has this dark colouring, inherited from her mother.
Of course, she isn’t the first literary character to have such a heritage. The one that springs first to my mind is Jimmy Perez in Ann Cleeves’ Shetland series (not that the lovely Dougie Henshall, who plays Perez in the TV series is dark haired OR dark-eyed).
Earlier this week, our own Liz Fielding published a blog about her series covers over 30 years of her writing career. It was fascinating. And it made me think about brands and series.
What makes Series Covers?
Harlequin Mills & Boon have been producing different series for decades. Readers may be fans of one or more of these series. Perhaps they love Medicals (left), or Historicals (right).
Readers expect to be able to identify their particular series covers the moment they look at the shelves in the bookshop. It used to be easy because of the colour coding: for example, Medicals were the jade green shown above; Historicals were Dairy Milk Purple. Modern and Romance (of which more below) also had the swoosh against blue (for Modern) and orange (for Romance).
And within their favourite series, readers want to be able to pick out the authors whose books they love. Preferably without having to peer at tiny or barely legible print. The two cover images above don’t get very high marks on that front. It would have been easy to remedy, though.
To give the paying customers what they want. Simples, no? Isn’t that what branding is about? Well… Continue reading →
As a follow-up to last weekend’s blog on the virtual ceremony for the RNA Awards 2021, this week we’re delighted to be able to welcome Kate Hardy, the winner of the LIbertà Books Shorter Romantic Novel Award 2021 for A Will, A Wish and A Wedding.
Kate is an old mate of the Libertà hive. She was one of the very kind authors who welcomed the then unpublished newbie, Joanna Maitland, to her very first RNA meeting. That was well over 20 years ago and Kate says she doesn’t remember. But Joanna does and is still grateful.
Kate comes—be warned—with hairy hangers-on. So this is partly a writer’s pet blog too. It’s about time we did another of those, don’t you think?
Kate’s hangers-on, Archie (the big one) and Dexter, rejoice in the title of Edit-paw-ial Assistants. More from them later.
Keep reading, as Kate tells us about how she became a published author and how she came to write the lovely butterfly-filled book that won our award.
Kate Hardy writes…
I’m thrilled to be here, as the winner of the 2021 Libertà Books Shorter Romantic Novel Award. It’s a glorious collision of numbers: for my 90th M&B, in my 20th year of being a M&B author and my 25th year of being a member of the RNA. And it’s also the third time I’ve won the award. As the photo below shows, I really wasn’t expecting it — and I’m so delighted!
Writing Christmas Reunion in Pariswas a curious mixture of fun and anxiety. Maybe it’s always like that. There are always tough moments when you can’t see an ending, when you sit and stare at the screen and the words won’t come. But, mostly, like childbirth, you forget the agonies when all is delivered safely.
It all started when my editor asked if I’d like to write the first book in a three book mini-series – Christmas at the Harrington Park Hotel. My fellow authors, Kandy Shepherd (in Australia) and Susan Meier (in the US) were old friends. I was delighted to team up with them to work on the books that were about three siblings, each with their own painful past.
Emails flew back and forth as we worked on settings. The boarding school that James (my character) and his twin Sally had attended. The Harrington Park Hotel. The backstory of their parents, a stepfather, the moments that fractured a once happy family.
That was the fun part!
Paris…we’ve done that…
My story takes place in Paris, in the run up to the holiday, so I grabbed the chance to go and do a little research which I wrote about a few months ago.
Back in 2019, the Libertà Hive met over supper and the odd glass 😉 to plot the future. We decided to write a Libertà Beach Reads anthology for summer 2020.
We didn’t know back then, of course, that beaches might be off-limits for a bit. But there’s no ban on beach reads. Writing them—and reading them, too—can be great fun.
As the evening wore on, amid much laughter and scraping of plates, we discovered the joys of Little Piddling, its history, its inhabitants… We also discovered some of the skeletons in our seaside town’s metaphorical cupboards (aka beach huts).
Beach Read challenge
We challenged each other to write the sort of stories we’d never attempted before. And we’ve all really enjoyed meeting those challenges. We even roped in two long-term friends of the hive, authors Louise Allen and Lesley Cookman.
There are a couple of months to go before we need to start to panic, but the groans are undoubtedly justified.
The children have only just gone back to school, the supermarket aisles are full of the momentary distraction of fake pumpkins and Halloween costumes, but they are already piling up the Christmas chocolate. (I took these two photographs just this morning.) And greetings cards are on sale for those organised enough to get them written before they get swept up in the season.