When two writer friends meet their first talk is of editorial revisions. You don’t risk a word on that unfinished book in case it stays that way. And you don’t talk about horrible reviews until you’re on at least your second glass.
But revisions are common to all writers and moaning about them – or sometimes sharing the joy – is a truly bonding experience.
This is the season when reports from the Romantic Novelists’ Association New Writers Scheme start to come back. Many of them will contain suggested revisions. Welcome to the club, guys!
But sometimes the report (or a book doctor or even an experienced reader friend) may say: “I don’t think you’ve found your voice yet.” “Inauthentic” may even be murmured.
The Romantic Novelists’ Association (RNA) reaches its Diamond Jubilee in 2020. Wow! That makes the RNA more venerable than pretty much all the other writers’ organisations. All the ones that we know of, anyway.
Possibly NOT an RNA member?
So the writers in the Libertà hive started reminiscing — as you do — about what the RNA has meant to each of us. We’re all long-standing members. And it’s an organisation that we revere.
But why? What’s so special about the RNA?
Basically, it’s the people in the RNA and the values they stand for. And the support and friendship that the association provides. Don’t believe any rubbish you hear about romance writers stabbing each other in the back. That was a bad joke from a writer in a non-romance genre — who honestly should have known better.
Writers in the RNA are the most helpful, supportive, loving bunch you could ever meet. They know the romance market is vast. No single romance writer can satisfy all those readers out there. So it’s in all our interests to grow the market and help each other.
Readers are fascinated by writers’ ideas. Where do you get them from? they ask.
Over and over again.
Sometimes we writers know. And sometimes — to be frank — we don’t.
How many of us have woken up in the morning with clear ideas about a new book and no inkling about how those ideas came to be? How many of us have more ideas jostling about in our brains than we can deal with?
For most of us the difficulty isn’t finding the ideas, it’s turning them into a coherent story with a beginning, a middle, and an end.
Here’s a case in point.
Ideas? Silver shreds for starters…
It began quite a long time ago. And it was all the fault of my crit partner, Sophie Weston of this parish… Continue reading →
This week I have been asking myself: where do I find story inspiration? It’s never been a problem for me. Stories are always queueing up. But I don’t really know how they get into the line in the first place.
Maybe this is partly because I’m in final edit mode at the moment. I have to admit to a chronic state of excitement, terror and permanent why-on-earth-did-I-think-I-could-write-this-story?-itis.
At least our heroine’s True Love has shifted from domestic to wild birds with the Day 7 offering. And not just a wild bird but a truly beautiful one, with mythological and poetic pedigree to boot.
The swan is one of the creatures that mates for life, according to legend and, to some extent, ornithological observation. (Not 100%, apparently; but a significant percentage of couples stick together.)
Allegedly it also sings only once, at the point of death – hence the exquisitely mournful Orlando Gibbons motet
So at last we have here a gift with real subtext: love, loyalty and death. Not that jolly maybe. But certainly romantic. Hmm. Possibly a bit late, given the bird shit that must be surrounding his lady love’s residence by now. Continue reading →