Empathy with characters: what is it and who has it?
Empathy? Roughly, it’s feeling what another person is feeling, from their point of view. Even if that other person is fictional. So readers may identify with the heroine in a romance, or with the spy in a thriller, or with the detective in a crime story.
Writing Regency romances, my aim was always that my [mostly female] readers would identify with my heroine and fall in love with my hero.
But readers don’t all react in the same way to our characters and our plots. And I’m beginning to wonder if age is one important factor in that. Continue reading →
Re-reading some of my favourite Georgette Heyer novels recently — Dame Isadora snagged me as the minion to do the research for her blogs because she, being a Very Important Personage, had Better Things To Do — I was struck by how often Heyer brings her lovers together at the very end of her novels, sometimes on the very last page.
Heyer might give us a chaste embrace. She might even give us a fierce kiss or two. And she often adds a shared joke. But that’s about it.
What we don’t get in Heyer is a lovers’ wallow.
What’s a wallow?
I’d describe the wallow as a shortish section at the end of a love story where the reader sees the lovers together and passionately in love — both of them trusting and relaxed and happy. Sometimes the lovers are married, sometimes they have had children, sometimes they are simply enjoying each other.
It’s the Happy Ever After ending shown right there on the page for the reader to savour.
Some readers love a wallow. Some readers even feel shortchanged if a novel doesn’t have one at the end. But readers still love all those Heyer novels that don’t have the merest hint of a wallow. So…