Tag Archives: self-publishing

Dear Editor Please Note : Sophie Weston reprise

Dear Readers: Sophie is still not up to typing a whole blog so we’re taking this opportunity of republishing her case-study-cum-love-letter to Dear Editor from back in 2016. (The blog was mentioned in Joanna’s cautionary tales blog last week). Even if you’ve read it before, it’s well worth rereading. And for any editors out there, we’d say it’s a must. But, being authors, we would say that, wouldn’t we?
hand writing a letter to editor with a goose feather

Dear Editor . . .

Whoever you are, wherever you are, Dear Editor, this blog is for you. You’ll find it’s somewhere between a  human resources case study and a love letter.

I’ve been writing most of my life. I’ve moved from “Not a semi colon goes” (end of conversation, book never published) to “Whatever you say” (utter misery, nearly stopped writing) and am now definitely at “Looking forward to discussion”.  I hope the following may help other authors and their Dear Editor avoid some of my pratfalls — or at any rate, get up afterwards a damn sight faster.

Relationship in the mist

Whether you’re a difficult author or a pussycat, the author-editor relationship is always edgy, groping its way through the mist. You can’t get away from it. There are just too many dark alleys and water’s edges. You think you’re striding along a good straight path of mutual understanding and — KERPLOP!

Both of you have to live with this.
And pull each other out of the water when necessary. Continue reading

Cautionary tales of indie authors and editors

“Your editor is your first, best reader.” So said Sophie Weston in a Libertà post on editing and editors that bears rereading. And it reminded me of a few recent instances related to indie authors and whether or not they employ a professional editor.

I’m not proposing to preach at you in this blog. (Sighs of relief all round?) I’m just going to set out a few cautionary tales and let you reach your own conclusions. Continue reading

What Copy Editors Do and How They Save the World

Dickens and editorFor some time now, people have been asking me to write about what copy editors do and why they’re important. This is a companion piece to last year’s little trot through the origins and history of publishers’ editing: “What Editors Do”.

Why now? I have just actually been reviewing the copy editor’s changes on the text of my new book. So the mind is focused on what I did and what it felt like.

I should point out that, like my blog on editors, this is highly personal. Though I have also drawn on conversations with copy editors and a great talk, some years ago at an RNA Chapter, by jay Dixon, a trained copy editor. Continue reading

Screw the Punch — Editorial that Works For You

Editorial Advice — Revisions?

Human hand breaking stone question mark. Editorial problem solving

Which editorial suggestions to follow?

Screw the Punch was the first editorial idea to work for me in a big way.

Traditionally published or indie, everyone agrees that authors need to be edited. But what do we do with those editorial reports? One of the most crucial judgements for a professional author to make is deciding exactly that.

You sought an editor’s help. You got it.

Now you have their report and you’re back on your own again. Continue reading

Dear Editor Please Note

hand writing a letter to editor with a goose feather

Dear Editor . . .

Whoever you are, wherever you are, Dear Editor, this blog is for you. You’ll find it’s somewhere between a  human resources case study and a love letter.

I’ve been writing most of my life. I’ve moved from “Not a semi colon goes” (end of conversation, book never published) to “Whatever you say” (utter misery, nearly stopped writing) and am now definitely at “Looking forward to discussion”.  I hope the following may help other authors and their Dear Editor avoid some of my pratfalls — or at any rate, get up afterwards a damn sight faster.

Relationship in the mist

Whether you’re a difficult author or a pussycat, the author-editor relationship is always edgy, groping its way through the mist. You can’t get away from it. There are just too many dark alleys and water’s edges. You think you’re striding along a good straight path of mutual understanding and — KERPLOP!

Both of you have to live with this.
And pull each other out of the water when necessary.

Editor-author relations like fog in Venice

Editor Fears Author

Continue reading

Cover Design and the Self-published Author

cover design In the Arms of the Sheikh by Sophie Weston

 

Cover design is a whole new area for me. Before I self published, I sold my stories to big publishers. The cover was part of the deal. Sometimes a good part.

First Pitfall — Absent Author

Sometimes not so much. The Author’s input back then generally consisted of doing a précis of the story and describing the characters’ looks. The designer made of that what he/she would. It could be pretty weird. The cover design where the heroine’s only identifiable feature was a bad case of measles is burned into my soul.

Second Pitfall — Baboon Bomb

Continue reading

Why go Indie? Joanna Maitland’s answers

This post on Going Indie was originally a guest piece on Sue Moorcroft’s blog. Many thanks to her for letting us repost it here, complete with new thoughts, several months on…

Back in November 2015, I wrote:

Why go indie? At the risk of stating the obvious, I’d say the answer is freedom.

indie has freedom

Freedom to ride off into the sunset. What’s not to like?

Here’s an example of independent author freedom in action. As originally published, in the Harlequin Undone! series of short ebooks, His Silken Seduction was well under 50 pages. That was the length the line required, so that was the length I wrote. Simples!

Continue reading