Tag Archives: Shakespeare

The Sweet Sorrow of Endings

I have done it!  I have finished my latest historical romance!
Hooray, I hear you say. At last.
About time.champagne to celebrate book endings

writer worries waiting for editor's verdict

It has been polished, re-polished and sent winging its merry way to The Editor, the god-like creature who will pronounce judgement upon my baby. As some old writer hack said, “parting is such sweet sorrow.”
It is an anxious time.

But while I wait, chewing my nails to the quick, I have been pondering on Life, the Universe and…


Endings: the joy of typing The End on a manuscript

The end, the finish, finale, culmination, conclusion. It sounds so, well, final, doesn’t it?
But we know it isn’t.

In a romance, when the hero takes the heroine in his arms at the last page for the Happy Ever After ending, we know that in real life that isn’t the end at all, it’s just the beginning of another chapter but it is left to the reader to make of that what they will. Either to leave the characters to their HEA or to imagine them caught up in future trials and tribulations.

Unless, that is, the pesky author writes a sequel, which we then just have to read, to satisfy ourselves that our cherished hero and heroine are still safe and happy.

C. E. Brock illustration for the 1895 edition of Jane Austen’s novel Pride and Prejudice (Chapter 6) Courtesy Wikimedia Commons



Of course, some authors help us out.

At the end of P&P dear Jane ties up everything very neatly in a couple of paragraphs, describing Lydia and Wickham’s precarious lifestyle, the reconciliation with Lady Catherine and generally suggests that All Will Be Well.

That is good enough for me.



Life Is Full of Endings…

Leaving school, quitting a job, moving house, divorce, the loss of a loved one…

In the great scheme of things, perhaps coming to the end of a project is a pretty minor thing, but for any kind of artist, you have put time and effort – your heart and soul – into creating something. When you finally decide it is done, there is always a reaction.

Anyone who has been involved in a stage show knows that after the euphoria of the last night party and relief that all that hard work is over, there comes a period of low spirits, of feeling lost. Aimless.

Bookish endings

Bookish endings can have vastly different effects, depending on whether you are the reader or the writer.

In my own case, with my writing hat on, getting the story down is the first priority and that can be difficult. When I actually get to the end of that first draft, my initial reaction is usually, “Thank **** that’s done!”

Of course, once it is revised, polished, edited and actually published, I am much more sanguine. Writing a book is very much like giving birth, joyous, yes, but also long, painful and messy. Thankfully, in most cases, the tedium, pain and mess are soon forgotten and only the joy remains. So much so that writers can’t wait to start the process all over again!

As a reader…

romantic novelist reading aloud

As a reader my reaction upon finishing a book is very different. My favourite books are those that I do not want to end.

Also, books that I can return to, time and time again, getting more out of them with each reading.

This applies to almost all Georgette Heyer’s historical romances. These Old Shades, to name but one. Or Sylvester. Cotillion maybe? Or…..

These Old Shades by Georgette Heyer with antihero the Duke of Avon

Then there are the books where one can heave a satisfied sigh upon completion. Well-crafted crime novels fit this category for me, Dorothy L Sayers, for example,

Lord Peter by Dorothy L Sayers

and the Anne Cleeves Shetland series. I recently listened to Cleeves talking about her books, describing them as “village noir” and herself as a human geographer, using the culture and communities of the islands as well as the landscape as the backdrop for her crime novels. I can disappear into her world very easily.

Romance, of course, should allow the reader that satisfied sigh, even if the story doesn’t always end happily. Romeo & Juliet must be one of the most famous romances of all time, and yet we all know It Did Not End Well for the star crossed lovers.

The Reconciliation of the Montagues and the Capulets. Watercolor by Frederic Ford Leighton (1830-1896), 1854. Courtesy Wikimedia Commons.


However, Shakespeare knew a thing or two about customer satisfaction. His lovers were united in death and their feuding families were reconciled.

Not the happiest of endings, but satisfying.


Unsatisfactory Endings

This doesn’t only apply to books that end tragically.

In a romance, if I am not convinced the characters deserve their HEA  ending, then a book does not work for me. It is not only in crime novels that I like a certain justice to have been achieved by the end of the book.

I have avoided mentioning specific titles here, as I would hate to spoil anyone’s enjoyment (and books are so subjective, aren’t they?)  but the ending of one book is so well known that I will take a chance on mentioning it.  Margaret Mitchell’s Gone with the Wind.

Now, I read this in my early teens and haven’t touched it since (it’s so long and there are millions of other books out there, waiting to be read!). Perhaps I was too fixed upon the love interest rather than the book as a whole, but it left me very unsatisfied. The constant bickering between Scarlett and Rhett wore me out. And Scarlett was so full of herself! She might declare that “Tomorrow is another day” but I never believed that Rhett would come back.

It didn’t help that I had seen the film, and didn’t take to Clark Gable. To a young teen he was, well, old. (Oh dear, now I have probably offended someone. Sorry. But we can’t all like the same types, can we? What a boring world it would be if we did).

Cue a bit of gratuitous eye candy.

handsome dark-haired young man with beard and faraway gaze         Jonas Kaufman in Verdi's OtelloHandsome young man with arms crossed over open shirt Alan Rickman (Nottingham) and Richard Armitage (Gisborne)

Perhaps I should go back and read GWTW again. Maybe. One day. But before that, I have another idea of my own bubbling up which I just need to work on.

You know, to start researching it, getting that first draft done, then writing it up. To the End.

So, dear Reader, how about you?

Are there any books that stand out as particularly satisfying? What are your go-to comfort reads?

And if you have read something with an unsatisfactory ending, have you been brave enough to try something else by that same author, in case it proves to be an absolute gem?

Do tell, dear friends.

Sarah Mallory author image


And talking of HEA endings, my latest Melinda Hammond Regency Romance, Duke’s Folly,  is out now on Kindle…

Twelfth Night

Twelfth Night party by PhizI am posting this on Twelfth Night. Well, at least, what my family have always called Twelfth Night. That’s the 6th January. It is a family birthday in our house, so it kind of sticks in the memory.

Only — maybe Twelfth Night is 5th January. The Anglican Church think that’s the right date.

SO WHEN is Twelfth Night?

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What Copy Editors Do and How They Save the World

Dickens and editorFor some time now, people have been asking me to write about what copy editors do and why they’re important. This is a companion piece to last year’s little trot through the origins and history of publishers’ editing: “What Editors Do”.

Why now? I have just actually been reviewing the copy editor’s changes on the text of my new book. So the mind is focused on what I did and what it felt like.

I should point out that, like my blog on editors, this is highly personal. Though I have also drawn on conversations with copy editors and a great talk, some years ago at an RNA Chapter, by jay Dixon, a trained copy editor. Continue reading

Considering Cliché: A Writer’s Unforgivable Sin?

The very first piece of advice that I remember anyone giving me about writing was, “Avoid cliché.” I was ten. I had to look up “cliché”. So now I have a question.

Dickens father of clicheA cliché is a word or phrase so worn out by overuse that it has deteriorated until it is meaningless. It may once have been striking. Today it is white noise.

The gentle reader ignores it. The ungentle critic berates the writer for laziness and lack of originality.

Dickens got away with “It is a far, far better thing I do, than I have ever done,” because he thought of it first. After that it became popular, then heard widely, then untouchable by any writer with pretensions to respectability.

Cliché, the Reader’s Friend?

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Nice words: he Rats, they Badger, but does anyone Mole?

animal words create images in hearer's mind

Language is a writer’s basic toolkit. Writers — novelists, playwrights, poets, lyricists, and all the rest — use words to trigger emotional responses or to paint pictures in the minds of their readers and listeners.

How can we fail to see layers of meaning in creations like these?

  • the wine-dark sea (Homer, Ancient Greece)
  • sleep that knits up the ravelled sleave of care (Shakespeare: Macbeth, 1606)
  • nursing her wrath to keep it warm (Robert Burns: Tam O’Shanter, 1790)
  • moonless night in the small town, starless and bible-black (Dylan Thomas: Under Milk Wood, 1954)

English, a pickpocket stealing words?

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How to Become a Wizard

Day 7   And a day of rest for the industrious Joanna . . .

An author, in Shakespeare’s words, gives to airy nothing a local habitation and a name. But that still leaves a pretty misty prospect. The habitation has no postcode.

Names often have more substance, admittedly. You only have to think of Sir Toby Belch or the Cheeryble Brothers to realise that. But they’re still in the middle of an open circuit. It needs something else to close it.

readers make the magic happen

fountain power in Battersea Park

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