Recently, I’ve started reading several books that I have swiftly put aside. Why? Because they had off-putting openings.
What did I mean by off-putting openings? I’d say the kind of start that left me—as a reader—confused, or bored, or annoyed. The kind of start that made me say something like, “if this is the best this author can do, then I have better ways of spending my precious reading time.”
Off-putting openings #1 : a crowd of named minor characters
When should an author give a character a name?
That’s not easy to answer. It may seem obvious that all characters have names—of course they do—but does the reader want to know the name, or need to know the name?
I’ve called this blog Points of View because that is what I’ve been thinking about, off and on, since the Romantic Novelists’ Association Conference two weeks ago.
Not just in a relation to writing, either, as you will see.
I admit, however, that I have been struggling for some time with POV issues. I’m in the process of an Absolutely Last Edit of a book that, when I first imagined it, had a first person vibe. It didn’t last and it has much improved as a result. But in some places the “I voice” has left an uncomfortable shadow.
At least, I think that’s the answer. Especially after a really excellent workshop on Psychic Distance from Emma Darwin.