This week, four things have conspired to make me think again about the author’s voice. First, a friend asked me a question about some editorial revisions he had received. Then I started the second draft of a new book and found myself uncertain about my own voice. Was it too – well – romantic? There will be romance in this book (actually series) but not for a long time after Chapter One.
On top of that, a very good friend strongly recommended a novel. Excited, I bought it at once. I’m a great fan of her own books and we very often love the same authors. But I am really struggling to get into it. I admit I put it down and walk away a lot. Which pleases the cat. We will discuss it when next we zoom. AAARGH!
Re-reading some of my favourite Georgette Heyer novels recently — Dame Isadora snagged me as the minion to do the research for her blogs because she, being a Very Important Personage, had Better Things To Do — I was struck by how often Heyer brings her lovers together at the very end of her novels, sometimes on the very last page.
Heyer might give us a chaste embrace. She might even give us a fierce kiss or two. And she often adds a shared joke. But that’s about it.
What we don’t get in Heyer is a lovers’ wallow.
What’s a wallow?
I’d describe the wallow as a shortish section at the end of a love story where the reader sees the lovers together and passionately in love — both of them trusting and relaxed and happy. Sometimes the lovers are married, sometimes they have had children, sometimes they are simply enjoying each other.
It’s the Happy Ever After ending shown right there on the page for the reader to savour.
Some readers love a wallow. Some readers even feel shortchanged if a novel doesn’t have one at the end. But readers still love all those Heyer novels that don’t have the merest hint of a wallow. So…