Tag Archives: writing craft

Plotting the perfect crime…

Switching Genres…

Image by Davie Bicker from Pixabay

I’ve been a published romance writer for more than thirty years now. That’s seventy books for Harlequin Mills and Boon and a few more for other publishers.

I was in a groove – some people might call it a comfortable rut – but I was producing books that enough people loved to keep me in contract and an advance and royalties coming in.

It’s hard to give up that up just because you’ve had a story in your head for a very long time that refuses to go away.

When you’ve had that security for thirty years, to write a book in a totally different genre — crime — on spec, with no publisher, no advance or promise of publication is like stepping off a cliff.

Sink or swim?

Image by J Garget from Pixabay

Maybe it was lockdown, the sense that life was out of control and might never be the same again. The sense that if I didn’t do it now, then when? That if I didn’t take the risk, would I go to my grave regretting that I didn’t have the courage, or the self-belief that had the “do it now” bells ringing.

I’d delivered the last of the books on my current contract. I could take six months out for a passion project – I knew the story – inspired by a documentary I’d seen. I had my victim, I had my murderer, I had my “sleuth”.

I’d lived with them in my head for a long time. I could give them six months of my life.

The Beginning…

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I’ve got a little list for when I’ve finished the book

When I say I’ve got a little list, it’s growing longer by the day.

Obviously, I always have lists of things I have to do – last month it included “Pay My Tax”, but also check my Public Lending Right statement, to see how much I’ve earned from the wonderful people who borrow my books from libraries.

Times are tough. Your library is a free resource and they’re under threat everywhere, so do make the most of them.

Public Lending Right for those who have never heard of it – and if you’re not a writer, why would you? – was spearheaded by the Society of Authors, an organisation that offers advice to, and lobbies for the interests of authors.

If you’re an author but not a member, Writer Beware gives information about scam merchants who try to rip off authors with fake competitions and dodgy publishers – the people who ask you to pay vast sums of money to publish your book and, having pocketed it, do nothing to sell it. Check them out before you sign a contract.

But back to my list

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Punctuating Dialogue (3) the Full Punctuation Rules?

magic bookIn this third and final part of the blog series on punctuating dialogue, we’re back in the magical, fairytale kingdom of Bel Paese with the unpunctuated Ricotta Dialogues [click to download]. There’s a link to the punctuated version later in this blog.

You can find part 2 of the series here, and part 1 is here. The latest version of The Rules is at the end of part 2 but I’ll be expanding them at the end of this blog, and providing a printable version, so you might prefer to wait for that magic rule book to be opened 😉

But first, last week’s answer?

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Punctuating dialogue (Part 2) Beyond the Basics

Lichtenstein castleLast week I introduced you to the fairytale kingdom of Bel Paese and gave you the first three rules of punctuating dialogue. Today we go beyond the basics.

If you want the recap, it’s at the end of my previous blog here. And you can still download the Ricotta Dialogues here.

This week we’re going to look at slightly more complicated punctuation of dialogue. It’s not used all the time, but it is useful to learn and apply the rules.
As before, they’re simple.

But first, last week’s answers?

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Punctuating dialogue need not be scary (Part 1)

woman tearing hairPunctuating dialogue seems to be a problem for many writers. But it need not be scary. There are conventions (rules) to apply, but once you know them, it’s straightforward. Honest 😉

Beautiful Woman Sitting At Night Forest And Reading Fairy Tale BookCome and discover the rules in the company of Princess Ricotta, her dim but impressively ripped suitors Prince Square-Jaw and Prince Six-Pack, and her conniving servants Slack-Britches and Mozarella. The fairytale kingdom of Bel Paese awaits you.

Those of you who are already confident about punctuating dialogue can read the fairytale just for fun. I hope you enjoy Ricotta’s adventures, even with unpunctuated dialogue. For those whose punctuation might need a bit of help, keep reading.

Punctuating dialogue is only convention

The conventions of punctuating dialogue have evolved over many years. Some of them seem pretty arbitrary but rules often are. We just have to accept them. Their aim is simple, though: to make it easy for readers to understand what’s going on. Continue reading →

Cutting while keeping your voice? Tips and trials

long line of duplicated bollards; need cutting?I’m currently finishing a first draft. And it’s too long. Much too long. It needs lots of cutting.

And therein lies a dilemma.

My first draft is definitely my voice, with all its good and bad points. One of my bad points is repetition. Duplication. Saying the same thing over and over again, but in different words.

ball and chain labelled sin; the sin needs cuttingDid you notice what I did there?
Yes, bad point number one to the fore.
Also in the first para of this post (sigh).

Problem is that, if ⁄ when I start cutting out the sin of duplication, I also risk changing the authorial voice so that it isn’t mine any more.

Oh dear.

Cutting habit words?

I can, of course, make cuts by removing my habit words and phrases.
Of which of course is one. I blogged about that a while ago. old habits to newBut, to be honest, removing habit words doesn’t reduce the overall word count by much. And I need to cut thousands of the blighters. So something more drastic is required. Continue reading →

Formatting ebook text: hints for independent publishers

Beach Hut Surprise, text formatting by Joanna Maitland

Apart from Beach Hut Surprise, I’ve recently been republishing some of my vintage books on Amazon. In revised (and, I hope, better) editions. I do all my own formatting and I thought I would share some of the approach I use. I’ll add in tips and tricks, too.

For those who’d like to do their own e-publishing, but haven’t yet dared, I hope this will encourage you to have a go. It really isn’t all that difficult. Honest.

Though—shameless self-promo here—if you absolutely can’t face doing your own formatting, I’d be happy to do it for you.

For a fee, of course 😉

Formatting: what it isn’t

This blog is not about editing or proofreading a manuscript. Formatting an ebook starts from the point where the manuscript has already been edited and proofread. A formatter does not normally read the detailed text she’s working on. If she had to do that, the charges would be much, much higher.

exclamation mark in fireThe formatter’s job is to take your perfect manuscript and turn it into a file that can be uploaded to the internet. If the manuscript isn’t perfect, your imperfections will be translated into the e-pubbed version. And you don’t want that, do you?

As an aside, I do normally run a spellcheck on manuscripts before I start formatting. And the spellcheck does sometimes point out errors. Does that mean that the author did not run the spellcheck on her manuscript? I hope not. Maybe it’s just that my spellcheck works differently. In the end, if the published ebook contains spelling errors—or any other editing errors that should have been corrected—it is down to the author, not the formatter.

Formatting: four simple constituents

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Anachronisms and pesky unknown unknowns to puzzle us

key on keyboard labelled Oops! for mistakeWriters of historicals are always on the lookout for anachronisms. They still trip us up, time and again. But the real elephant traps are the unknown unknowns [© D Rumsfeld?], the things we don’t know we don’t know—and, as a result, we don’t know we’re getting wrong.

I was prompted to write this blog by some of the reactions to my post about habit words, a couple of weeks ago. woman with clock, pointing finger at headSo this week’s post is about anachronisms of various kinds.

Anachronisms? The standard definition is something out of its time—an object, an expression, an attitude—something that does not belong in the period of the story.

We wouldn’t put electric light in a Regency setting, for example. That one is easy to spot. But how am I, as a historical writer, supposed to spot the ones that lurk in the undergrowth of my ignorance? Continue reading →

Filing to keep your WIP safe : writing craft

woman against background of question marksA few weeks ago, I read Elizabeth Hawksley’s blog about the difficulties she had when first trying to turn one of her backlist into an ebook. She’d been filing her old manuscripts in chapters that she thought she could use. But the files turned out to include competing versions. She had real problems stitching together a continuous MS.

Elizabeth, you had all my sympathy.
Been there, done that.
Don’t have the t-shirt but probably should. Continue reading →